25 July 2011
Maisha Scriptwriting Lab at the Doha Film Institute
Deadline: 15 August 2011
You have heard us talking about Maisha for some time now; we’ve been sending students to Zanzibar and Uganda for the past year to participate in intensive film labs. In the second year of collaboration with Maisha, DFI have decided to bring Maisha to you!
This year, DFI will be hosting a Maisha Lab in Doha for resident screenwriters. The Screenwriters Lab gives independent screenwriters the opportunity to work intensively on their scripts with the support of established writers in an environment that encourages innovation and creative risk taking. Maisha mentors will challenge, and inspire the screenwriters during this intensive process of script development.
If you have a short 7 – 10 page script and want to learn how to develop it further, then this is the workshop for you.
Students will work all day on their scripts, have one on one sessions with mentors, group training, private time to write and in the evenings the group will watch and discuss films. *This workshop will require full commitment. Failure to attend one day of the workshop will mean you won’t be able to complete the lab.
In order to be eligible for this workshop you must have a 7 – 10 page script.
Dates: September 15 – 22
Hours: Full Days
Language: English
Location: Doha
Contact Information:
For submissions: register here
Website: http://www.dohafilminstitute.com
Read more
You have heard us talking about Maisha for some time now; we’ve been sending students to Zanzibar and Uganda for the past year to participate in intensive film labs. In the second year of collaboration with Maisha, DFI have decided to bring Maisha to you!
This year, DFI will be hosting a Maisha Lab in Doha for resident screenwriters. The Screenwriters Lab gives independent screenwriters the opportunity to work intensively on their scripts with the support of established writers in an environment that encourages innovation and creative risk taking. Maisha mentors will challenge, and inspire the screenwriters during this intensive process of script development.
If you have a short 7 – 10 page script and want to learn how to develop it further, then this is the workshop for you.
Students will work all day on their scripts, have one on one sessions with mentors, group training, private time to write and in the evenings the group will watch and discuss films. *This workshop will require full commitment. Failure to attend one day of the workshop will mean you won’t be able to complete the lab.
In order to be eligible for this workshop you must have a 7 – 10 page script.
Dates: September 15 – 22
Hours: Full Days
Language: English
Location: Doha
Contact Information:
For submissions: register here
Website: http://www.dohafilminstitute.com
21 July 2011
Deadline Extended: Abu Dhabi Film Commission's $100,000 Sasha Grant Screenwriting Competition (Middle East/ North Africa)
Deadline: 31 July 2011 (from 30 June 2011)
Note: One of the key team members (Writer, Director or Producer) has to be a UAE National OR a resident in the Middle East for more than 5 years, OR has Emirati, Middle Eastern, North African parents (MENA region).
The Shasha Grant is Abu Dhabi Film Commission's One Hundred Thousand
Dollar international screenwriting competition designed to identify, develop and launch the career of outstanding filmmakers. One winner will be chosen from the finalists during a gala ceremony in Abu Dhabi.
Summary
Abu Dhabi Film Commission will invite the Shasha Grant finalists to Abu Dhabi to attend the pitching sessions in October. During the sessions the finalists will be paired with industry executives to create and refine pitch strategies for the six chosen scripts. During the final pitching session each finalist will pitch their script to a selection jury comprised of industry professionals for evaluation. The winning script will receive a $100,000 development grant.
Please be advised that you need a completed script in .PDF format in order to complete the application and enter the competition. Your application may be deleted if not complete with script.
Rules & Regulations
Entry into this competition confirms each entrant’s acceptance of these terms and conditions:
1. Abu Dhabi Film Commission reserves the right to reject any entry at their absolute discretion.
2. Entrants are to be 18 years and above.
3. Entries can be from
- Writer
- Writer/ Director
- Writer plus Director team
- Writer plus Producer team
- Writer/ Director plus a Producer team
4. Scripts must be submitted by the Writer or Director.
5. One of the key team members (Writer, Director or Producer) has to be a UAE National OR a resident in the Middle East for more than 5 years, OR has Emirati, Middle Eastern, North African parents (MENA region).
6. All scripts must fulfill one of the following criteria:
- The script subject matter is set in the Middle East or North Africa OR
- The script is to be filmed in the UAE.
7. All entrants must have completed a short, feature or documentary film that was awarded a prize, has been screened at an international film festival or has had a broadcast commission.
8. Writers must have written at least one (1) other feature screenplay.
9. Directors must have directed at least one (1) feature film.
10. Producers must have at least 3 broadcast or screening credits (theatrical or festival).
11. A maximum of 2 scripts per applicant will be accepted. Only one script per applicant will be selected.
12. All scripts must be a completed feature length screenplay (90 pages minimum/ 110 maximum).
13. Scripts must be in industry standard format, with a title page containing contact details. Click on this link to see a template
14. The entered script must be original work or an original adaptation of a copyright free story, or proof of ownership of the Chain of Title must be submitted with the application.
15. The entered script must not have been previously optioned, sold or produced.
16. The script can be submitted in English or Arabic language.
17. Applicants must be comfortable pitching their scripts in English or Arabic.
18. The content in all scripts must be socially and culturally acceptable in the UAE and region. (PG15 rating)
19. Each application to Shasha Grant must include the following:
* Complete online Shasha Grant Application
* One feature-length screenplay as a PDF file
20. No scripts will be accepted after the deadline 30th June 2011 midnight.
21. All submissions must be sent via internet.
22. The material submitted will not be returned under any circumstances.
23. 10 scripts will be shortlisted on the 4th September 2011. Only selected entrants will be contacted and will be published online.
24. If the script is one of the 10 shortlisted the following documents must be provided
* Passport copy of applicant/s
* Copy of residency visa if applicable or proof of parents nationality if applicable
* A copy of prior work - only one film may be submitted for review (either short, feature, documentary or broadcasted show) – DVD or via internet upload
* Films must have English subtitles if dialogue is in a different language.
* All shortlisted entrants submitting their scripts in Arabic must be prepared to send an English version of their script. In case the shortlisted needs to use the services of a professional translator, Abu Dhabi Film Commission will fund the translation up to a limit of 350US$
** (Failure to submit will result in immediate withdrawal from The Shasha Grant)
25. Only shortlisted entrants must send the requested documents. Abu Dhabi Film Commision will contact the shortlisted candidates with details on how to send the documents requested.
26. Six final scripts will be announced on the 11th September 2011. Only the writer and director will be eligible to pitch the script.
27. The finalists will be required to travel to Abu Dhabi, UAE to participate in the Shasha Grant Competition. Abu Dhabi Film Commission will provide economy airfare, transportation to event, and hotel accommodation for finalists pitching the script.
28. Finalists are responsible for acquiring relevant passports. Abu Dhabi Film Commission will assist in procuring any necessary visa for travel.
29. If a finalist is unable to secure the necessary travel documents or confirm participation within two weeks prior to the competition, their place in the Shasha programme will be forfeited by default and offered to the next qualified applicant.
30. The decision of the jury will be final.
31. Release of Grant is subject to signing final contractual agreement.
32. Abu Dhabi Film Commission reserves the right to amend the rules and regulations at any time.
Contact Information:
For inquiries: shasha2011@film.gov.ae or call +971 02 4012701
For submissions: apply here
Website: https://shashacompetition.com/index.php
Read more
Note: One of the key team members (Writer, Director or Producer) has to be a UAE National OR a resident in the Middle East for more than 5 years, OR has Emirati, Middle Eastern, North African parents (MENA region).
The Shasha Grant is Abu Dhabi Film Commission's One Hundred Thousand
Dollar international screenwriting competition designed to identify, develop and launch the career of outstanding filmmakers. One winner will be chosen from the finalists during a gala ceremony in Abu Dhabi.
Summary
Abu Dhabi Film Commission will invite the Shasha Grant finalists to Abu Dhabi to attend the pitching sessions in October. During the sessions the finalists will be paired with industry executives to create and refine pitch strategies for the six chosen scripts. During the final pitching session each finalist will pitch their script to a selection jury comprised of industry professionals for evaluation. The winning script will receive a $100,000 development grant.
Please be advised that you need a completed script in .PDF format in order to complete the application and enter the competition. Your application may be deleted if not complete with script.
Rules & Regulations
Entry into this competition confirms each entrant’s acceptance of these terms and conditions:
1. Abu Dhabi Film Commission reserves the right to reject any entry at their absolute discretion.
2. Entrants are to be 18 years and above.
3. Entries can be from
- Writer
- Writer/ Director
- Writer plus Director team
- Writer plus Producer team
- Writer/ Director plus a Producer team
4. Scripts must be submitted by the Writer or Director.
5. One of the key team members (Writer, Director or Producer) has to be a UAE National OR a resident in the Middle East for more than 5 years, OR has Emirati, Middle Eastern, North African parents (MENA region).
6. All scripts must fulfill one of the following criteria:
- The script subject matter is set in the Middle East or North Africa OR
- The script is to be filmed in the UAE.
7. All entrants must have completed a short, feature or documentary film that was awarded a prize, has been screened at an international film festival or has had a broadcast commission.
8. Writers must have written at least one (1) other feature screenplay.
9. Directors must have directed at least one (1) feature film.
10. Producers must have at least 3 broadcast or screening credits (theatrical or festival).
11. A maximum of 2 scripts per applicant will be accepted. Only one script per applicant will be selected.
12. All scripts must be a completed feature length screenplay (90 pages minimum/ 110 maximum).
13. Scripts must be in industry standard format, with a title page containing contact details. Click on this link to see a template
14. The entered script must be original work or an original adaptation of a copyright free story, or proof of ownership of the Chain of Title must be submitted with the application.
15. The entered script must not have been previously optioned, sold or produced.
16. The script can be submitted in English or Arabic language.
17. Applicants must be comfortable pitching their scripts in English or Arabic.
18. The content in all scripts must be socially and culturally acceptable in the UAE and region. (PG15 rating)
19. Each application to Shasha Grant must include the following:
* Complete online Shasha Grant Application
* One feature-length screenplay as a PDF file
20. No scripts will be accepted after the deadline 30th June 2011 midnight.
21. All submissions must be sent via internet.
22. The material submitted will not be returned under any circumstances.
23. 10 scripts will be shortlisted on the 4th September 2011. Only selected entrants will be contacted and will be published online.
24. If the script is one of the 10 shortlisted the following documents must be provided
* Passport copy of applicant/s
* Copy of residency visa if applicable or proof of parents nationality if applicable
* A copy of prior work - only one film may be submitted for review (either short, feature, documentary or broadcasted show) – DVD or via internet upload
* Films must have English subtitles if dialogue is in a different language.
* All shortlisted entrants submitting their scripts in Arabic must be prepared to send an English version of their script. In case the shortlisted needs to use the services of a professional translator, Abu Dhabi Film Commission will fund the translation up to a limit of 350US$
** (Failure to submit will result in immediate withdrawal from The Shasha Grant)
25. Only shortlisted entrants must send the requested documents. Abu Dhabi Film Commision will contact the shortlisted candidates with details on how to send the documents requested.
26. Six final scripts will be announced on the 11th September 2011. Only the writer and director will be eligible to pitch the script.
27. The finalists will be required to travel to Abu Dhabi, UAE to participate in the Shasha Grant Competition. Abu Dhabi Film Commission will provide economy airfare, transportation to event, and hotel accommodation for finalists pitching the script.
28. Finalists are responsible for acquiring relevant passports. Abu Dhabi Film Commission will assist in procuring any necessary visa for travel.
29. If a finalist is unable to secure the necessary travel documents or confirm participation within two weeks prior to the competition, their place in the Shasha programme will be forfeited by default and offered to the next qualified applicant.
30. The decision of the jury will be final.
31. Release of Grant is subject to signing final contractual agreement.
32. Abu Dhabi Film Commission reserves the right to amend the rules and regulations at any time.
Contact Information:
For inquiries: shasha2011@film.gov.ae or call +971 02 4012701
For submissions: apply here
Website: https://shashacompetition.com/index.php
17 July 2011
Abhivyakthi Samskruthika Vedike Screenplay Writing Workshop (India)
Deadline: 23 July 2011
A state level screenplay writing workshop is being organised by Abhivyakthi Samskruthika Vedike on the occasion of the association’s 26th anniversary.
The workshop will be held under the aegis of film director Nagathihalli Chandrashekar from August 11 to 15 in Bangalore. Interested may download application forms from www.nagathihalli.com.
Last date to receive the duly-filled application forms is July 23. For further details contact 9740092323.
Download application form >>
Via: deccanherald.com
Contact Information:
For inquiries: contact 9740092323
Website: http://www.nagathihalli.com
Read more
A state level screenplay writing workshop is being organised by Abhivyakthi Samskruthika Vedike on the occasion of the association’s 26th anniversary.
The workshop will be held under the aegis of film director Nagathihalli Chandrashekar from August 11 to 15 in Bangalore. Interested may download application forms from www.nagathihalli.com.
Last date to receive the duly-filled application forms is July 23. For further details contact 9740092323.
Download application form >>
Via: deccanherald.com
Contact Information:
For inquiries: contact 9740092323
Website: http://www.nagathihalli.com
02 July 2011
Asia Society India Centre New Voices Fellowship for Screenwriters
Asia Society India Centre and Time Warner are pleased to announce New Voices Fellowship for Screenwriters (NVFS), a program to identify and support a group of six talented independent screenwriters to develop their feature film scripts by working in a dynamic and innovative environment with guidance from eminent filmmakers and screenwriters.
The program launches July 11, 2011. Complete details and an application form will be available soon.
Contact Information:
Website: http://asiasociety.org/centers/india
Read more
The program launches July 11, 2011. Complete details and an application form will be available soon.
Contact Information:
Website: http://asiasociety.org/centers/india
14 June 2011
Abu Dhabi Film Commission's $100,000 Sasha Grant Screenwriting Competition (Middle East/ North Africa)
Deadline: 30 June 2011
Note: One of the key team members (Writer, Director or Producer) has to be a UAE National OR a resident in the Middle East for more than 5 years, OR has Emirati, Middle Eastern, North African parents (MENA region).
The Shasha Grant is Abu Dhabi Film Commission's One Hundred Thousand
Dollar international screenwriting competition designed to identify, develop and launch the career of outstanding filmmakers. One winner will be chosen from the finalists during a gala ceremony in Abu Dhabi.
Summary
Abu Dhabi Film Commission will invite the Shasha Grant finalists to Abu Dhabi to attend the pitching sessions in October. During the sessions the finalists will be paired with industry executives to create and refine pitch strategies for the six chosen scripts. During the final pitching session each finalist will pitch their script to a selection jury comprised of industry professionals for evaluation. The winning script will receive a $100,000 development grant.
Please be advised that you need a completed script in .PDF format in order to complete the application and enter the competition. Your application may be deleted if not complete with script.
Rules & Regulations
Entry into this competition confirms each entrant’s acceptance of these terms and conditions:
1. Abu Dhabi Film Commission reserves the right to reject any entry at their absolute discretion.
2. Entrants are to be 18 years and above.
3. Entries can be from
- Writer
- Writer/ Director
- Writer plus Director team
- Writer plus Producer team
- Writer/ Director plus a Producer team
4. Scripts must be submitted by the Writer or Director.
5. One of the key team members (Writer, Director or Producer) has to be a UAE National OR a resident in the Middle East for more than 5 years, OR has Emirati, Middle Eastern, North African parents (MENA region).
6. All scripts must fulfill one of the following criteria:
- The script subject matter is set in the Middle East or North Africa OR
- The script is to be filmed in the UAE.
7. All entrants must have completed a short, feature or documentary film that was awarded a prize, has been screened at an international film festival or has had a broadcast commission.
8. Writers must have written at least one (1) other feature screenplay.
9. Directors must have directed at least one (1) feature film.
10. Producers must have at least 3 broadcast or screening credits (theatrical or festival).
11. A maximum of 2 scripts per applicant will be accepted. Only one script per applicant will be selected.
12. All scripts must be a completed feature length screenplay (90 pages minimum/ 110 maximum).
13. Scripts must be in industry standard format, with a title page containing contact details. Click on this link to see a template
14. The entered script must be original work or an original adaptation of a copyright free story, or proof of ownership of the Chain of Title must be submitted with the application.
15. The entered script must not have been previously optioned, sold or produced.
16. The script can be submitted in English or Arabic language.
17. Applicants must be comfortable pitching their scripts in English or Arabic.
18. The content in all scripts must be socially and culturally acceptable in the UAE and region. (PG15 rating)
19. Each application to Shasha Grant must include the following:
* Complete online Shasha Grant Application
* One feature-length screenplay as a PDF file
20. No scripts will be accepted after the deadline 30th June 2011 midnight.
21. All submissions must be sent via internet.
22. The material submitted will not be returned under any circumstances.
23. 10 scripts will be shortlisted on the 4th September 2011. Only selected entrants will be contacted and will be published online.
24. If the script is one of the 10 shortlisted the following documents must be provided by 15th August 2011 5pm.
* Passport copy of applicant/s
* Copy of residency visa if applicable or proof of parents nationality if applicable
* A copy of prior work - only one film may be submitted for review (either short, feature, documentary or broadcasted show) – DVD or via internet upload
* Films must have English subtitles if dialogue is in a different language.
* All shortlisted entrants submitting their scripts in Arabic must be prepared to send an English version of their script by 15th August 2011. In case the shortlisted needs to use the services of a professional translator, Abu Dhabi Film Commission will fund the translation up to a limit of 350US$
** (Failure to submit will result in immediate withdrawal from The Shasha Grant)
25. Only shortlisted entrants must send the requested documents. Abu Dhabi Film Commision will contact the shortlisted candidates with details on how to send the documents requested.
26. Six final scripts will be announced on the 11th September 2011. Only the writer and director will be eligible to pitch the script.
27. The finalists will be required to travel to Abu Dhabi, UAE to participate in the Shasha Grant Competition. Abu Dhabi Film Commission will provide economy airfare, transportation to event, and hotel accommodation for finalists pitching the script.
28. Finalists are responsible for acquiring relevant passports. Abu Dhabi Film Commission will assist in procuring any necessary visa for travel.
29. If a finalist is unable to secure the necessary travel documents or confirm participation within two weeks prior to the competition, their place in the Shasha programme will be forfeited by default and offered to the next qualified applicant.
30. The decision of the jury will be final.
31. Release of Grant is subject to signing final contractual agreement.
32. Abu Dhabi Film Commission reserves the right to amend the rules and regulations at any time.
Contact Information:
For inquiries: shasha2011@film.gov.ae or call +971 02 4012701
For submissions: apply here
Website: https://shashacompetition.com/index.php
Read more
Note: One of the key team members (Writer, Director or Producer) has to be a UAE National OR a resident in the Middle East for more than 5 years, OR has Emirati, Middle Eastern, North African parents (MENA region).
The Shasha Grant is Abu Dhabi Film Commission's One Hundred Thousand
Dollar international screenwriting competition designed to identify, develop and launch the career of outstanding filmmakers. One winner will be chosen from the finalists during a gala ceremony in Abu Dhabi.
Summary
Abu Dhabi Film Commission will invite the Shasha Grant finalists to Abu Dhabi to attend the pitching sessions in October. During the sessions the finalists will be paired with industry executives to create and refine pitch strategies for the six chosen scripts. During the final pitching session each finalist will pitch their script to a selection jury comprised of industry professionals for evaluation. The winning script will receive a $100,000 development grant.
Please be advised that you need a completed script in .PDF format in order to complete the application and enter the competition. Your application may be deleted if not complete with script.
Rules & Regulations
Entry into this competition confirms each entrant’s acceptance of these terms and conditions:
1. Abu Dhabi Film Commission reserves the right to reject any entry at their absolute discretion.
2. Entrants are to be 18 years and above.
3. Entries can be from
- Writer
- Writer/ Director
- Writer plus Director team
- Writer plus Producer team
- Writer/ Director plus a Producer team
4. Scripts must be submitted by the Writer or Director.
5. One of the key team members (Writer, Director or Producer) has to be a UAE National OR a resident in the Middle East for more than 5 years, OR has Emirati, Middle Eastern, North African parents (MENA region).
6. All scripts must fulfill one of the following criteria:
- The script subject matter is set in the Middle East or North Africa OR
- The script is to be filmed in the UAE.
7. All entrants must have completed a short, feature or documentary film that was awarded a prize, has been screened at an international film festival or has had a broadcast commission.
8. Writers must have written at least one (1) other feature screenplay.
9. Directors must have directed at least one (1) feature film.
10. Producers must have at least 3 broadcast or screening credits (theatrical or festival).
11. A maximum of 2 scripts per applicant will be accepted. Only one script per applicant will be selected.
12. All scripts must be a completed feature length screenplay (90 pages minimum/ 110 maximum).
13. Scripts must be in industry standard format, with a title page containing contact details. Click on this link to see a template
14. The entered script must be original work or an original adaptation of a copyright free story, or proof of ownership of the Chain of Title must be submitted with the application.
15. The entered script must not have been previously optioned, sold or produced.
16. The script can be submitted in English or Arabic language.
17. Applicants must be comfortable pitching their scripts in English or Arabic.
18. The content in all scripts must be socially and culturally acceptable in the UAE and region. (PG15 rating)
19. Each application to Shasha Grant must include the following:
* Complete online Shasha Grant Application
* One feature-length screenplay as a PDF file
20. No scripts will be accepted after the deadline 30th June 2011 midnight.
21. All submissions must be sent via internet.
22. The material submitted will not be returned under any circumstances.
23. 10 scripts will be shortlisted on the 4th September 2011. Only selected entrants will be contacted and will be published online.
24. If the script is one of the 10 shortlisted the following documents must be provided by 15th August 2011 5pm.
* Passport copy of applicant/s
* Copy of residency visa if applicable or proof of parents nationality if applicable
* A copy of prior work - only one film may be submitted for review (either short, feature, documentary or broadcasted show) – DVD or via internet upload
* Films must have English subtitles if dialogue is in a different language.
* All shortlisted entrants submitting their scripts in Arabic must be prepared to send an English version of their script by 15th August 2011. In case the shortlisted needs to use the services of a professional translator, Abu Dhabi Film Commission will fund the translation up to a limit of 350US$
** (Failure to submit will result in immediate withdrawal from The Shasha Grant)
25. Only shortlisted entrants must send the requested documents. Abu Dhabi Film Commision will contact the shortlisted candidates with details on how to send the documents requested.
26. Six final scripts will be announced on the 11th September 2011. Only the writer and director will be eligible to pitch the script.
27. The finalists will be required to travel to Abu Dhabi, UAE to participate in the Shasha Grant Competition. Abu Dhabi Film Commission will provide economy airfare, transportation to event, and hotel accommodation for finalists pitching the script.
28. Finalists are responsible for acquiring relevant passports. Abu Dhabi Film Commission will assist in procuring any necessary visa for travel.
29. If a finalist is unable to secure the necessary travel documents or confirm participation within two weeks prior to the competition, their place in the Shasha programme will be forfeited by default and offered to the next qualified applicant.
30. The decision of the jury will be final.
31. Release of Grant is subject to signing final contractual agreement.
32. Abu Dhabi Film Commission reserves the right to amend the rules and regulations at any time.
Contact Information:
For inquiries: shasha2011@film.gov.ae or call +971 02 4012701
For submissions: apply here
Website: https://shashacompetition.com/index.php
21 May 2011
Filipino Filmmaker Sheron Dayoc Selected for Sundance Screenwriters Lab
Sundance Institute recently announced the 14 projects selected for its annual June Directors and Screenwriters Labs, taking place at the Sundance Resort in Utah May 30 – June 30, 2011. Under the leadership of Michelle Satter, Director of the Sundance Feature Film Program, and the artistic direction of Gyula Gazdag, the projects selected for this year's program include emerging filmmakers and projects from the United States, Israel, Romania, Mexico, the Philippines and Algeria. Sundance Institute is marking the 30th anniversary of its first Directors Lab, led by Robert Redford and Satter in 1981.
Over the course of the Directors Lab, Fellows work with an accomplished group of Creative Advisors, professional actors, and production crews, shooting and editing key scenes from their screenplays. Through this intense, hands-on process, the Fellows workshop text, collaborate with actors, and find a visual storytelling language for their films in an atmosphere where experimentation and risk-taking is encouraged. Fellows also join in the weeklong Screenwriters Lab with six additional projects to participate in individualized story sessions under the guidance of established screenwriters.
The projects and participants selection for the 30th Anniversary of the Sundance Institute June Directors Lab from May 30 – June 23 are:
Sundance Institute Executive Director Keri Putnam added, “All of the Institute’s work to date was born out of the original idea of bringing artists to the mountains, away from commercial pressures, to be nurtured by nature and encouraged by creative leaders in the film world. It is our distinct pleasure to welcome this latest class of fellows who join our amazing, supportive group of alumni around the world.”
Gyula Gazdag returns as Artistic Director of the Directors Lab. This year's Creative Advisors for the Directors and Screenwriters Labs include Robert Redford, Michael Almereyda, John August, Scott Burns, Scott Cooper, Sebastian Cordero, Joan Darling, Suzy Elmiger, Robert Elswit, Sally Field, John Gatins, Michael Goldenberg, William Goldenberg, Deena Goldstone, Keith Gordon, Randa Haines, Catherine Hardwicke, Azazel Jacobs, Jeremy Kagan, Kasi Lemmons, Denis Lenoir, Peter Medak, Walter Mosley, Jessie Nelson, Tim Blake Nelson, Billy Ray, Howard Rodman, Susan Shilliday, Brad Silberling, Dana Stevens, Joan Tewkesbury, Barbara Tulliver,
Audrey Wells, and Doug Wright.
About the participants:
Zero Motivation/Talya Lavie (writer/director), Israel: A tragicomic look at the power struggles of three female clerks over one year in an administrative office at a remote army base in the Israeli desert. Talya Lavie writes and directs for various television dramas in Israel. After studying animation at the Bezalel Art Academy, she graduated from the Sam Spiegel Film School in Jerusalem. Her short film, Sliding Flora, screened at MoMA, as well as at over 40 film festivals worldwide, among them the Berlinale. Lavie’s thesis film, The Substitute, received numerous international awards, including the Audience Award in the Berlinale, and first prize at the Munich International Short Film Festival and the Melbourne International Film Festival.
Satra/Sheron Dayoc (writer/director), Philippines: Swept up in the ethnic conflict of war-torn Mindanao, Satra, a tribal fabric weaver, hovers between the spiritual and real worlds, wrestling with the uncertain fate of her village and loved ones. Sheron Dayoc hails from Zamboanga City, located in the southern region of the Philippines. His award-winning short films and documentaries tackle issues from Mindanao. Halaw, his first feature film, received a NETPAC
Special Mention award at the Berlin International Film Festival as well as the award for Best Picture at the 2010 Cinemalaya Independent Film Festival (known as the “Sundance of the Philippines.”)
About the program
Since 1981, the Sundance Institute Feature Film Program (FFP) has supported more than 450 independent filmmakers whose distinctive, singular work has engaged audiences worldwide. The program’s approach to the discovery and development of independent artists has become a model for creative development programs internationally. Program staff fully embrace the unique vision of each filmmaker, encouraging a rigorous creative process with a focus on original and deeply personal storytelling. Each year, up to 25 emerging filmmakers from the U.S. and around the world participate in a year-round continuum of support which can include the Screenwriters and Directors Labs, Creative Producing Fellowship and Lab, Composers Lab, Creative Producing Summit, ongoing creative and strategic advice, significant production and postproduction resources, a Rough-Cut Screening Initiative, a Screenplay Reading Series, and direct financial support through project-specific grants and artist fellowships. In many cases, the Institute has helped the Program’s fellows attach producers and talent, secure financing, and assemble other significant resources to move their projects toward production and presentation. In addition, the FFP is providing strategic resources to completed Lab films in distribution and
marketing across all platforms to support and expand their connection to audiences worldwide.
Contact Information:
For inquiries: Brooks_addicott@sundance.org
Website: http://www.sundance.org
Read more
Over the course of the Directors Lab, Fellows work with an accomplished group of Creative Advisors, professional actors, and production crews, shooting and editing key scenes from their screenplays. Through this intense, hands-on process, the Fellows workshop text, collaborate with actors, and find a visual storytelling language for their films in an atmosphere where experimentation and risk-taking is encouraged. Fellows also join in the weeklong Screenwriters Lab with six additional projects to participate in individualized story sessions under the guidance of established screenwriters.
The projects and participants selection for the 30th Anniversary of the Sundance Institute June Directors Lab from May 30 – June 23 are:
- Adelaide/Liliana Greenfield-Sanders (writer/director), U.S.A.
- Adelyne/Holden Abigail Osborne (writer/director), U.S.A.
- The American People/Keith Davis (writer/director), U.S.A.
- La Raya/Yolanda Cruz (writer/director), Mexico/U.S.A.
- Little Accidents/Sara Colangelo (writer/director), U.S.A.
- The Storm King/Carlo Mirabella-Davis (writer/director), U.S.A.
- Wolf/Bodgan Mustata (writer/director), Romania
- Zero Motivation/Talya Lavie (writer/director), Israel
- Ajax/Carson Mell (writer/director), U.S.A.
- Hurt Village/Katori Hall (writer), U.S.A.
- Red Olive Tree/Karim Bensalah (writer/director), Algeria/France
- Satra/Sheron Dayoc (writer/director), Philippines
- What He Did/Kyle Burns (writer/director), U.S.A.
- Ad Inexplorata/Mark Elijah Rosenberg (writer/director), U.S.A.
Sundance Institute Executive Director Keri Putnam added, “All of the Institute’s work to date was born out of the original idea of bringing artists to the mountains, away from commercial pressures, to be nurtured by nature and encouraged by creative leaders in the film world. It is our distinct pleasure to welcome this latest class of fellows who join our amazing, supportive group of alumni around the world.”
Gyula Gazdag returns as Artistic Director of the Directors Lab. This year's Creative Advisors for the Directors and Screenwriters Labs include Robert Redford, Michael Almereyda, John August, Scott Burns, Scott Cooper, Sebastian Cordero, Joan Darling, Suzy Elmiger, Robert Elswit, Sally Field, John Gatins, Michael Goldenberg, William Goldenberg, Deena Goldstone, Keith Gordon, Randa Haines, Catherine Hardwicke, Azazel Jacobs, Jeremy Kagan, Kasi Lemmons, Denis Lenoir, Peter Medak, Walter Mosley, Jessie Nelson, Tim Blake Nelson, Billy Ray, Howard Rodman, Susan Shilliday, Brad Silberling, Dana Stevens, Joan Tewkesbury, Barbara Tulliver,
Audrey Wells, and Doug Wright.
About the participants:
Zero Motivation/Talya Lavie (writer/director), Israel: A tragicomic look at the power struggles of three female clerks over one year in an administrative office at a remote army base in the Israeli desert. Talya Lavie writes and directs for various television dramas in Israel. After studying animation at the Bezalel Art Academy, she graduated from the Sam Spiegel Film School in Jerusalem. Her short film, Sliding Flora, screened at MoMA, as well as at over 40 film festivals worldwide, among them the Berlinale. Lavie’s thesis film, The Substitute, received numerous international awards, including the Audience Award in the Berlinale, and first prize at the Munich International Short Film Festival and the Melbourne International Film Festival.
Satra/Sheron Dayoc (writer/director), Philippines: Swept up in the ethnic conflict of war-torn Mindanao, Satra, a tribal fabric weaver, hovers between the spiritual and real worlds, wrestling with the uncertain fate of her village and loved ones. Sheron Dayoc hails from Zamboanga City, located in the southern region of the Philippines. His award-winning short films and documentaries tackle issues from Mindanao. Halaw, his first feature film, received a NETPAC
Special Mention award at the Berlin International Film Festival as well as the award for Best Picture at the 2010 Cinemalaya Independent Film Festival (known as the “Sundance of the Philippines.”)
About the program
Since 1981, the Sundance Institute Feature Film Program (FFP) has supported more than 450 independent filmmakers whose distinctive, singular work has engaged audiences worldwide. The program’s approach to the discovery and development of independent artists has become a model for creative development programs internationally. Program staff fully embrace the unique vision of each filmmaker, encouraging a rigorous creative process with a focus on original and deeply personal storytelling. Each year, up to 25 emerging filmmakers from the U.S. and around the world participate in a year-round continuum of support which can include the Screenwriters and Directors Labs, Creative Producing Fellowship and Lab, Composers Lab, Creative Producing Summit, ongoing creative and strategic advice, significant production and postproduction resources, a Rough-Cut Screening Initiative, a Screenplay Reading Series, and direct financial support through project-specific grants and artist fellowships. In many cases, the Institute has helped the Program’s fellows attach producers and talent, secure financing, and assemble other significant resources to move their projects toward production and presentation. In addition, the FFP is providing strategic resources to completed Lab films in distribution and
marketing across all platforms to support and expand their connection to audiences worldwide.
Contact Information:
For inquiries: Brooks_addicott@sundance.org
Website: http://www.sundance.org
04 April 2011
Story Tour Asia Film/ TV Screenwriting Seminars and Logline Pitching Contest (Philippines)
Deadline: 19 April 2011 (contest)
Screenwriting Seminars
STORY TOUR ASIA (PHILIPPINES) 2011 English Seminars and Workshops
Anyone has the potential to write great stories
The seminars and workshops not only introduces participants to the principles of successful storytelling but it gives participants solid grounding on how to craft engaging characters and plots. As blockbuster writer Raz De La Torre proves, “you don’t have to be a film major to succeed as a writer.”
Learn to write memorable stories that resonate with the broadest possible audience.
The seminars and workshops showcase acclaimed Philippines writers such as Ricky Lee and Raz de La Torre, broadcast executives Raymund Dizon and head trainer Amor Olaguer, and international screen artists, writer Luke Devenish and script editor Karel Segers. They made successful careers out of writing and will give you the inside scoop on how they created stories that connect with audiences on both an emotional and intellectual level.
Learn the language both understood by the people who green light a film
Broadcast executives Raymund Dizon and Producer Amor Olaguer share their insight into the very heart of the business of screenwriting. Acclaimed motivational script coach and producer Karel Segers tops off the event by giving you a step-by-step guideline for effective plot structure and characterization in your own writing”.
SEMINAR VENUES
* Manila, Philippines | NCCA Theatre, 633 NCCA Building, General Luna St. Intramuros
* Cebu, Philippines | USC CAFA Theatre – USC Technological Center, Talamban Campus
* Bacolod, Philippines | University of St. La Salle Auditorium, La Salle Avenue, Bacolod City, 6100
Film/TV Logline Contest
Announcing logline pitching contest. We are sponsoring writers and filmmakers with undiscovered talent to attend the Philippine screenwriting event of the year. Simply post your logline in one sentence on their FB wall to be in the chance to win a 2-day intensive course on English Movie & TV writing this upcoming May in Manila, Cebu, Bacolod. Get in early to get the most votes! Offer end April 19. 10 winners for each city (Manila, Bacolod, Cebu) by peer review - people's vote ("Likes"). Seminar Instructors Karel's and Luke's votes count for 30 "Likes".
Submit here.
Read more
Screenwriting Seminars
STORY TOUR ASIA (PHILIPPINES) 2011 English Seminars and Workshops
Anyone has the potential to write great stories
The seminars and workshops not only introduces participants to the principles of successful storytelling but it gives participants solid grounding on how to craft engaging characters and plots. As blockbuster writer Raz De La Torre proves, “you don’t have to be a film major to succeed as a writer.”
Learn to write memorable stories that resonate with the broadest possible audience.
The seminars and workshops showcase acclaimed Philippines writers such as Ricky Lee and Raz de La Torre, broadcast executives Raymund Dizon and head trainer Amor Olaguer, and international screen artists, writer Luke Devenish and script editor Karel Segers. They made successful careers out of writing and will give you the inside scoop on how they created stories that connect with audiences on both an emotional and intellectual level.
Learn the language both understood by the people who green light a film
Broadcast executives Raymund Dizon and Producer Amor Olaguer share their insight into the very heart of the business of screenwriting. Acclaimed motivational script coach and producer Karel Segers tops off the event by giving you a step-by-step guideline for effective plot structure and characterization in your own writing”.
SEMINAR VENUES
* Manila, Philippines | NCCA Theatre, 633 NCCA Building, General Luna St. Intramuros
* Cebu, Philippines | USC CAFA Theatre – USC Technological Center, Talamban Campus
* Bacolod, Philippines | University of St. La Salle Auditorium, La Salle Avenue, Bacolod City, 6100
Film/TV Logline Contest
Announcing logline pitching contest. We are sponsoring writers and filmmakers with undiscovered talent to attend the Philippine screenwriting event of the year. Simply post your logline in one sentence on their FB wall to be in the chance to win a 2-day intensive course on English Movie & TV writing this upcoming May in Manila, Cebu, Bacolod. Get in early to get the most votes! Offer end April 19. 10 winners for each city (Manila, Bacolod, Cebu) by peer review - people's vote ("Likes"). Seminar Instructors Karel's and Luke's votes count for 30 "Likes".
Submit here.
28 March 2011
5th Abu Dhabi Film Commission Annual Shasha Screenwriting Competition (Middle East/ North Africa)
Abu Dhabi Film Commission (ADFC) has called for entries for the 5th annual Shasha screenwriting competition designed to identify, develop and launch the career of talented filmmakers.
The competition is open to UAE nationals, or UAE residents of over five years, citizens from other countries in the Middle East or individuals with Middle Eastern or North African parentage. Scripts can be submitted in English or Arabic and applicants must be comfortable pitching their projects to an industry panel in either English or Arabic.
10 scripts will be shortlisted on 1st August 2011 and six finalists will be announced on 4th September 2011.
The Film Commission will invite the six Shasha Grant finalists to Abu Dhabi this coming October to attend the pitching sessions which involve each finalist being paired with an industry executive to create and refine pitch strategies for their scripts.
During the final pitching session each finalist will pitch their script to a selection jury comprised of industry professionals for evaluation. The winning project will receive the $100,000 development grant and ongoing production support from the Abu Dhabi Film Commission.
For the full rules and regulations and to apply, please visit the commission website www.film.gov.ae or email inquiries to shasha@film.gov.ae
More information here.
Read more
The competition is open to UAE nationals, or UAE residents of over five years, citizens from other countries in the Middle East or individuals with Middle Eastern or North African parentage. Scripts can be submitted in English or Arabic and applicants must be comfortable pitching their projects to an industry panel in either English or Arabic.
10 scripts will be shortlisted on 1st August 2011 and six finalists will be announced on 4th September 2011.
The Film Commission will invite the six Shasha Grant finalists to Abu Dhabi this coming October to attend the pitching sessions which involve each finalist being paired with an industry executive to create and refine pitch strategies for their scripts.
During the final pitching session each finalist will pitch their script to a selection jury comprised of industry professionals for evaluation. The winning project will receive the $100,000 development grant and ongoing production support from the Abu Dhabi Film Commission.
For the full rules and regulations and to apply, please visit the commission website www.film.gov.ae or email inquiries to shasha@film.gov.ae
More information here.
07 February 2011
The 2011 Carlos Palanca Memorial Awards for Literature Now Open to Submissions
Deadline: 30 April 2011
Note: the 61st Palanca Awards are also open to novel/nobela category submissions.
CARLOS PALANCA MEMORIAL AWARDS FOR LITERATURE
RULES OF THE CONTEST – 2011
1. The contest is open from 01 January 2011 until 30 April 2011 to all Filipino citizens, or former Filipino citizens, of all ages except current officers and employees of the Carlos Palanca Foundation, Inc. (the Sponsor).
2. The contest has the following divisions and categories:
3. In the SHORT STORY / SHORT STORY (CEBUANO, HILIGAYNON, ILUKO) / MAIKLING KUWENTO / categories, an entry must be at least ten (10) but not more than twenty-five (25) typewritten pages. The theme is open and free and the entry must include a one-page synopsis.
4. In the SHORT STORY FOR CHILDREN / MAIKLING KUWENTONG PAMBATA categories, an entry must be not more than ten (10) typewritten pages. It may deal with any subject, must be within the grade-school reading level of children ages 7-12, and the entry must include a one-page synopsis.
5. In the ESSAY / SANAYSAY categories, an entry should be at least ten (10) but not more than twenty-five (25) typewritten pages. The category is open only to informal (personal) essays.
6. In the POETRY / TULA categories, an entry must consist of a collection of at least ten (10) but not more than fifteen (15) poems.
7. In the POETRY FOR CHILDREN / TULANG PAMBATA categories, an entry must consist of a collection of at least ten (10) but not more than fifteen (15) poems. It may deal with any subject and must be comprehensible within the grade-school reading level of children ages 6-12, and can be appreciated in its oral form by younger children.
8. In the ONE-ACT PLAY / DULANG MAY ISANG YUGTO categories, an entry must be of sufficient length to approximate a performance time of forty-five (45) minutes. The theme is open and free and the entry must include a one-page synopsis.
9. In the FULL-LENGTH PLAY / DULANG GANAP ANG HABA categories, an entry must consist of two (2) or more acts and the entry must include a one-page synopsis.
10. In the DULANG PAMPELIKULA category, the entry must be a script for a full-length film with a running time of approximately two (2) hours. The theme is open and free and the entry must include a one-page synopsis.
11. In the NOVEL / NOBELA categories, the theme is open and free. There is no limit as to the number of pages of the entry but the entry must include a one-page synopsis.
12. The KABATAAN ESSAY / KABATAAN SANAYSAY are special categories open to persons below 18 years of age. It is open only to informal (personal) essays. The theme for this year is: (to be announced). An entry must be at least four (4) but not more than five (5) typewritten pages, and must carry an original title.
13. The KABATAAN AWARD OF DISTINCTION is awarded to Palanca awardees who have won four (4) first prizes in the KABATAAN ESSAY. First prize awards in the special youth category shall not be counted for purposes of the Hall of Fame Award.
14. a. Authors may submit only one (1) entry per category.
b. An entry or excerpt thereof, may only be submitted in one (1) category and may not be entered in any other category.
c. A translation of an entry submitted in one (1) division shall not be eligible in any other division.
15. A work which has been awarded a prize in another contest before 12:00 m.n. of 30 April 2011 is not qualified for the awards.
16. Published/produced works which were first published or first produced between 1 May 2010 to 30 April 2011 and/or unpublished/unproduced works, may be entered in the contest, except in the DULANG PAMPELIKULA category where only unproduced works may be entered.
17. Each entry must be typewritten or computerized, double – spaced on 8 ½ X 11 inches bond paper, with approximately one-inch margin on all sides. The page number must be typed consecutively e.g. 1 of 30, 2 of 30 and so on at the center of the bottom margin of each page. If computerized, the font should be Arial, Times New Roman or Book Antiqua and the font size should be 12. The author’s real name and address must only appear in the Official Entry Form and the Authorization Form and must not appear on the entry. The following documents must be sealed inside an 8.5” x 13” brown envelope for entries not submitted through the website: (a) the duly accomplished Official Entry Form, (b) Authorization Form (The Authorization Form must be notarized for local entries, (c) Consent, if applicable, (d) an original and three (3) copies of the entry, (e) a digital copy of the entry, and (f) the author’s full résumé. Only the title of the entry, category, and division should be written or typed on the envelope. Entries from abroad need not be notarized but if an entry from abroad wins, then the Authorization Form must be authenticated by the Philippine Embassy or Consulate and submitted to the CPMA Office on or before 31 August of the contest year in order to qualify.
18. All entries (except Novel) submitted through the website should be in a Word Document File and should be sent as an attachment together with scanned copies of the following: (a) duly accomplished Official Entry Form, (b) notarized Authorization Form, (c) Consent, if applicable, and (d) the author’s full résumé. The time of transmission should be NOT LATER THAN 12:00 m.n. of 30 APRIL 2011. An entry will only be considered submitted if official confirmation is received through the website or by the CPMA administration. An envelope containing the original signed requirements listed in Rule 17(a) (b) and (c) above should then be sent to the CARLOS PALANCA FOUNDATION, INC. by mail or courier and postmarked not later than 30 April 2011.
19. In submitting an entry, a contestant represents and warrants that the work is his own and that he has absolute ownership of all intellectual property rights thereto. If the entry is an adaptation of another author’s existing work, the contestant shall submit to the Foundation the written consent of the author of the existing work, allowing the contestant to adapt the work, and to enter the adaptation in the contest (the Consent). The Consent shall include a clear and categorical statement that the Foundation shall be exempt from any and all liability in the event that the adaptation is said to infringe the intellectual property rights of the author of the existing work. The Consent must be notarized and, if executed outside the Philippines, should be authenticated by the Philippine Embassy or consulate. The contestant shall also sign the Consent and attach the same to the Official Entry Form/Authorization Form.
20. Entries submitted must comply with government policies on printed matters. Submitted copies of winning entries shall remain with, and become the property of, the Carlos Palanca Foundation, Inc. Submitted copies of non-winning entries may be claimed by the authors not later than six (6) months from the date of announcement of winners.
21. In order to give public access to the winning works, the author hereby grants, assigns, and transfers unto the Sponsor, the right without necessity of any payment other than the prize which may have been awarded: to publish from time to time any winning entry or selection or portion thereof as it may at its discretion determine; to designate or appoint editors to edit the work or any portion thereof to suit the demands of publication; to furnish a reasonable number of copies of all winning works to the National Library or other libraries; to make the works available for downloading on the Internet or other electronic media; and/or to allow students to make copies for research or in connection with their school requirements. In the One-act Play, Full-length Play, and Dulang Pampelikula categories, the Sponsor shall also have the right to produce, or authorize the production of, and/or carry out the staging, telecasting, broadcasting, cinema, video streaming, and/or other forms of exhibition whether over the Internet, through other electronic media, or on site, from time to time, of any winning entry or selection or portion thereof as it may in its discretion determine. The Sponsor shall also have the right to appoint or designate editors or directors who may edit the work or any portion thereof to suit the demands of production or exhibition.
To promote Philippine Literature in the modern world of information technology, the Sponsor intends to make the winning entries accessible through the internet or other electronic media, to serve as a literary archive of the contest. The website or other media to be established for this purpose shall be a repository of the award-winning works, recording the history of the development of Philippine literature over the years through the Palanca Awards. In making the works thus available to interested researchers and students of Philippine literature, the Sponsor intends purely to promote literary appreciation for and public awareness of such works, and not to commercially exploit the same. Authors must indicate on the Official Entry Form whether they want their works included on the CPMA website and made available for downloading by the public for free in the event that such works win an award. To encourage use for educational purposes, works shall be posted on the website in their entirety. Should any winning author subsequently instruct the Sponsor in writing to include or remove the work from the Internet archive, such instruction will be honored and the work shall be included or removed from the Internet archive within a reasonable time from Sponsor’s receipt of the author’s written instructions.
22. In connection with the grant, assignment, or transfer to the Sponsor of the right of publication, re-publication, production, reproduction or exhibition as stated in paragraph 22 of these rules, and pursuant to the requirements of R.A. No. 8293, entries must be accompanied by the author’s written consent to abide by the rules of the contest acknowledged before a Notary Public. In case of minors, particularly with respect to the Kabataan Essay category, the written consent of the parents or legal guardians shall also be required. The Authorization Form and Official Entry Form are available at the Carlos Palanca Foundation, Inc. office or through the website.
The exercise of the above rights by the Sponsor shall not be deemed a waiver of any right of action which the Sponsor of this contest may have against the contestant, if it may be discovered later on that said person is not the creator or owner of the copyright to the award-winning work. Moreover, the contestant likewise undertakes to indemnify the Sponsor for any and all damages, fees, costs and expenses that the Sponsor may incur by reason of the infringement by the contestant of the intellectual property rights of another.
23. The prizes, in Philippine Pesos (Php), for each contest category are the following:
a. Short Story / Maikling Kuwento / Regional Languages (Hiligaynon, Iluko, Cebuano)
First prize: 15,000.00
Second prize: 10,000.00
Third prize: 8,000.00
b. Poetry, Essay, One–act Play, Short Story for Children, Poetry for Children /
Tula, Sanaysay, Dulang may Isang Yugto, Maikling Kuwentong Pambata, Tulang Pambata
First prize: 15,000.00
Second prize: 10,000.00
Third prize: 8,000.00
c. Full-length Play / Dulang Ganap ang Haba
First prize: 20,000.00
Second prize: 12,000.00
Third prize: 8,000.00
d. Dulang Pampelikula
First prize: 30,000.00
Second prize: 15,000.00
Third prize: 12,000.00
e. Kabataan Essay / Kabataan Sanaysay
First prize: 8,000.00
Second prize: 5,000.00
Third prize: 3,000.00
f. Novel / Nobela
Grand prize: 40,000.00
(The school/s of the student/s winning the first prize in the Kabataan Essay will receive a cash prize of Php 5,000.00)
24. The Sponsor has the sole right to designate the persons who shall constitute the Board of Judges in each of the contest categories. The decision of the majority of the Board of Judges in all categories shall be final.
25. The Board of Judges shall declare only one winner for each prize listed in Rule 24. There shall be no co-winners and/or splitting of the prize money. The Board of Judges shall have the discretion not to award any prize if, in its judgment, no meritorious entry has been submitted.
26. The names of the winners and the members of the Board of Judges shall be announced on 1 September 2011.
27. All parties submitting entries are deemed to have accepted the rules of the contest, and agree to abide thereby.
ALL ENTRIES MUST STRICTLY COMPLY WITH THESE RULES. ALL DOCUMENTARY REQUIREMENTS MUST BE COMPLETE AT THE TIME OF SUBMISSION.
Contest Deliverables:
CPMA Rules for 2011 Contest >>
CPMA Official Entry Form >>
CPMA Authorization >>
More information here.
Read more
Note: the 61st Palanca Awards are also open to novel/nobela category submissions.
CARLOS PALANCA MEMORIAL AWARDS FOR LITERATURE
RULES OF THE CONTEST – 2011
1. The contest is open from 01 January 2011 until 30 April 2011 to all Filipino citizens, or former Filipino citizens, of all ages except current officers and employees of the Carlos Palanca Foundation, Inc. (the Sponsor).
2. The contest has the following divisions and categories:
- English Division Filipino Division Regional Languages Division Kabataan Division
- Short Story Maikling Kuwento Short Story-Cebuano Kabataan Essay
- Short Story for Children Maikling Kuwentong Pambata Short Story-Hiligaynon Kabataan Sanaysay
- Essay Sanaysay Short Story-Iluko
- Poetry Tula
- Poetry for Children Tulang Pambata
- One-act Play Dulang May Isang Yugto
- Full-length Play Dulang Ganap ang Haba
- Novel Dulang Pampelikula
- Nobela
3. In the SHORT STORY / SHORT STORY (CEBUANO, HILIGAYNON, ILUKO) / MAIKLING KUWENTO / categories, an entry must be at least ten (10) but not more than twenty-five (25) typewritten pages. The theme is open and free and the entry must include a one-page synopsis.
4. In the SHORT STORY FOR CHILDREN / MAIKLING KUWENTONG PAMBATA categories, an entry must be not more than ten (10) typewritten pages. It may deal with any subject, must be within the grade-school reading level of children ages 7-12, and the entry must include a one-page synopsis.
5. In the ESSAY / SANAYSAY categories, an entry should be at least ten (10) but not more than twenty-five (25) typewritten pages. The category is open only to informal (personal) essays.
6. In the POETRY / TULA categories, an entry must consist of a collection of at least ten (10) but not more than fifteen (15) poems.
7. In the POETRY FOR CHILDREN / TULANG PAMBATA categories, an entry must consist of a collection of at least ten (10) but not more than fifteen (15) poems. It may deal with any subject and must be comprehensible within the grade-school reading level of children ages 6-12, and can be appreciated in its oral form by younger children.
8. In the ONE-ACT PLAY / DULANG MAY ISANG YUGTO categories, an entry must be of sufficient length to approximate a performance time of forty-five (45) minutes. The theme is open and free and the entry must include a one-page synopsis.
9. In the FULL-LENGTH PLAY / DULANG GANAP ANG HABA categories, an entry must consist of two (2) or more acts and the entry must include a one-page synopsis.
10. In the DULANG PAMPELIKULA category, the entry must be a script for a full-length film with a running time of approximately two (2) hours. The theme is open and free and the entry must include a one-page synopsis.
11. In the NOVEL / NOBELA categories, the theme is open and free. There is no limit as to the number of pages of the entry but the entry must include a one-page synopsis.
12. The KABATAAN ESSAY / KABATAAN SANAYSAY are special categories open to persons below 18 years of age. It is open only to informal (personal) essays. The theme for this year is: (to be announced). An entry must be at least four (4) but not more than five (5) typewritten pages, and must carry an original title.
13. The KABATAAN AWARD OF DISTINCTION is awarded to Palanca awardees who have won four (4) first prizes in the KABATAAN ESSAY. First prize awards in the special youth category shall not be counted for purposes of the Hall of Fame Award.
14. a. Authors may submit only one (1) entry per category.
b. An entry or excerpt thereof, may only be submitted in one (1) category and may not be entered in any other category.
c. A translation of an entry submitted in one (1) division shall not be eligible in any other division.
15. A work which has been awarded a prize in another contest before 12:00 m.n. of 30 April 2011 is not qualified for the awards.
16. Published/produced works which were first published or first produced between 1 May 2010 to 30 April 2011 and/or unpublished/unproduced works, may be entered in the contest, except in the DULANG PAMPELIKULA category where only unproduced works may be entered.
17. Each entry must be typewritten or computerized, double – spaced on 8 ½ X 11 inches bond paper, with approximately one-inch margin on all sides. The page number must be typed consecutively e.g. 1 of 30, 2 of 30 and so on at the center of the bottom margin of each page. If computerized, the font should be Arial, Times New Roman or Book Antiqua and the font size should be 12. The author’s real name and address must only appear in the Official Entry Form and the Authorization Form and must not appear on the entry. The following documents must be sealed inside an 8.5” x 13” brown envelope for entries not submitted through the website: (a) the duly accomplished Official Entry Form, (b) Authorization Form (The Authorization Form must be notarized for local entries, (c) Consent, if applicable, (d) an original and three (3) copies of the entry, (e) a digital copy of the entry, and (f) the author’s full résumé. Only the title of the entry, category, and division should be written or typed on the envelope. Entries from abroad need not be notarized but if an entry from abroad wins, then the Authorization Form must be authenticated by the Philippine Embassy or Consulate and submitted to the CPMA Office on or before 31 August of the contest year in order to qualify.
18. All entries (except Novel) submitted through the website should be in a Word Document File and should be sent as an attachment together with scanned copies of the following: (a) duly accomplished Official Entry Form, (b) notarized Authorization Form, (c) Consent, if applicable, and (d) the author’s full résumé. The time of transmission should be NOT LATER THAN 12:00 m.n. of 30 APRIL 2011. An entry will only be considered submitted if official confirmation is received through the website or by the CPMA administration. An envelope containing the original signed requirements listed in Rule 17(a) (b) and (c) above should then be sent to the CARLOS PALANCA FOUNDATION, INC. by mail or courier and postmarked not later than 30 April 2011.
19. In submitting an entry, a contestant represents and warrants that the work is his own and that he has absolute ownership of all intellectual property rights thereto. If the entry is an adaptation of another author’s existing work, the contestant shall submit to the Foundation the written consent of the author of the existing work, allowing the contestant to adapt the work, and to enter the adaptation in the contest (the Consent). The Consent shall include a clear and categorical statement that the Foundation shall be exempt from any and all liability in the event that the adaptation is said to infringe the intellectual property rights of the author of the existing work. The Consent must be notarized and, if executed outside the Philippines, should be authenticated by the Philippine Embassy or consulate. The contestant shall also sign the Consent and attach the same to the Official Entry Form/Authorization Form.
20. Entries submitted must comply with government policies on printed matters. Submitted copies of winning entries shall remain with, and become the property of, the Carlos Palanca Foundation, Inc. Submitted copies of non-winning entries may be claimed by the authors not later than six (6) months from the date of announcement of winners.
21. In order to give public access to the winning works, the author hereby grants, assigns, and transfers unto the Sponsor, the right without necessity of any payment other than the prize which may have been awarded: to publish from time to time any winning entry or selection or portion thereof as it may at its discretion determine; to designate or appoint editors to edit the work or any portion thereof to suit the demands of publication; to furnish a reasonable number of copies of all winning works to the National Library or other libraries; to make the works available for downloading on the Internet or other electronic media; and/or to allow students to make copies for research or in connection with their school requirements. In the One-act Play, Full-length Play, and Dulang Pampelikula categories, the Sponsor shall also have the right to produce, or authorize the production of, and/or carry out the staging, telecasting, broadcasting, cinema, video streaming, and/or other forms of exhibition whether over the Internet, through other electronic media, or on site, from time to time, of any winning entry or selection or portion thereof as it may in its discretion determine. The Sponsor shall also have the right to appoint or designate editors or directors who may edit the work or any portion thereof to suit the demands of production or exhibition.
To promote Philippine Literature in the modern world of information technology, the Sponsor intends to make the winning entries accessible through the internet or other electronic media, to serve as a literary archive of the contest. The website or other media to be established for this purpose shall be a repository of the award-winning works, recording the history of the development of Philippine literature over the years through the Palanca Awards. In making the works thus available to interested researchers and students of Philippine literature, the Sponsor intends purely to promote literary appreciation for and public awareness of such works, and not to commercially exploit the same. Authors must indicate on the Official Entry Form whether they want their works included on the CPMA website and made available for downloading by the public for free in the event that such works win an award. To encourage use for educational purposes, works shall be posted on the website in their entirety. Should any winning author subsequently instruct the Sponsor in writing to include or remove the work from the Internet archive, such instruction will be honored and the work shall be included or removed from the Internet archive within a reasonable time from Sponsor’s receipt of the author’s written instructions.
22. In connection with the grant, assignment, or transfer to the Sponsor of the right of publication, re-publication, production, reproduction or exhibition as stated in paragraph 22 of these rules, and pursuant to the requirements of R.A. No. 8293, entries must be accompanied by the author’s written consent to abide by the rules of the contest acknowledged before a Notary Public. In case of minors, particularly with respect to the Kabataan Essay category, the written consent of the parents or legal guardians shall also be required. The Authorization Form and Official Entry Form are available at the Carlos Palanca Foundation, Inc. office or through the website.
The exercise of the above rights by the Sponsor shall not be deemed a waiver of any right of action which the Sponsor of this contest may have against the contestant, if it may be discovered later on that said person is not the creator or owner of the copyright to the award-winning work. Moreover, the contestant likewise undertakes to indemnify the Sponsor for any and all damages, fees, costs and expenses that the Sponsor may incur by reason of the infringement by the contestant of the intellectual property rights of another.
23. The prizes, in Philippine Pesos (Php), for each contest category are the following:
a. Short Story / Maikling Kuwento / Regional Languages (Hiligaynon, Iluko, Cebuano)
First prize: 15,000.00
Second prize: 10,000.00
Third prize: 8,000.00
b. Poetry, Essay, One–act Play, Short Story for Children, Poetry for Children /
Tula, Sanaysay, Dulang may Isang Yugto, Maikling Kuwentong Pambata, Tulang Pambata
First prize: 15,000.00
Second prize: 10,000.00
Third prize: 8,000.00
c. Full-length Play / Dulang Ganap ang Haba
First prize: 20,000.00
Second prize: 12,000.00
Third prize: 8,000.00
d. Dulang Pampelikula
First prize: 30,000.00
Second prize: 15,000.00
Third prize: 12,000.00
e. Kabataan Essay / Kabataan Sanaysay
First prize: 8,000.00
Second prize: 5,000.00
Third prize: 3,000.00
f. Novel / Nobela
Grand prize: 40,000.00
(The school/s of the student/s winning the first prize in the Kabataan Essay will receive a cash prize of Php 5,000.00)
24. The Sponsor has the sole right to designate the persons who shall constitute the Board of Judges in each of the contest categories. The decision of the majority of the Board of Judges in all categories shall be final.
25. The Board of Judges shall declare only one winner for each prize listed in Rule 24. There shall be no co-winners and/or splitting of the prize money. The Board of Judges shall have the discretion not to award any prize if, in its judgment, no meritorious entry has been submitted.
26. The names of the winners and the members of the Board of Judges shall be announced on 1 September 2011.
27. All parties submitting entries are deemed to have accepted the rules of the contest, and agree to abide thereby.
ALL ENTRIES MUST STRICTLY COMPLY WITH THESE RULES. ALL DOCUMENTARY REQUIREMENTS MUST BE COMPLETE AT THE TIME OF SUBMISSION.
Contest Deliverables:
CPMA Rules for 2011 Contest >>
CPMA Official Entry Form >>
CPMA Authorization >>
More information here.
26 January 2011
Writers Invited to Filipinas Copyright Licensing Society's Huntahan sa Diliman: Informal Discussion on Writing and Intellectual Property
Deadline: 6 February 2011
Contact: filcols@gmail.com
We are pleased to invite you to FILCOLS Huntahan sa Diliman at the Videotheque Room, UP Film Institute, UP Diliman, Quezon City on Sunday, 6 February 2011, 1:00 p.m. onwards.
FILCOLS Huntahan sa Diliman is an informal discussion on writing, publishing, intellectual property and copyright. This session is specially designed for Film and TV industry writers.
Please join us for this important event, as we work together to address challenges in the industry and to promote writers’ rights in the country.
There is no registration fee and FILCOLS Huntahan sa Diliman is open to all writers who are interested.
However, we ask you to pre-register. This is for the certificates that will be given after the event. FILCOLS will also sponsor light snacks for all the participants. Send us your name and affiliation to filcols@gmail.com or to 0919-3175708.
You will find the program below.Please contact us for any additional information on FILCOLS Huntahan sa Diliman.
ALVIN J. BUENAVENTURA
Executive Director
http://filcols.blogspot.com/
More information here.
Read more
Contact: filcols@gmail.com
We are pleased to invite you to FILCOLS Huntahan sa Diliman at the Videotheque Room, UP Film Institute, UP Diliman, Quezon City on Sunday, 6 February 2011, 1:00 p.m. onwards.
FILCOLS Huntahan sa Diliman is an informal discussion on writing, publishing, intellectual property and copyright. This session is specially designed for Film and TV industry writers.
Please join us for this important event, as we work together to address challenges in the industry and to promote writers’ rights in the country.
There is no registration fee and FILCOLS Huntahan sa Diliman is open to all writers who are interested.
However, we ask you to pre-register. This is for the certificates that will be given after the event. FILCOLS will also sponsor light snacks for all the participants. Send us your name and affiliation to filcols@gmail.com or to 0919-3175708.
You will find the program below.Please contact us for any additional information on FILCOLS Huntahan sa Diliman.
ALVIN J. BUENAVENTURA
Executive Director
http://filcols.blogspot.com/
More information here.
25 January 2011
Hollywood-Based East Indian Actor Looking for Drama Screenplays
East Indian actor looking for a low budget script to be made in the $100,000 range.
Looking for a caper, slice of life, drama, movies like ''Departed'', ''Mean Streets'', ''The Town'', or drama like ''Slumdog Millionaire ''.
Age Range: 25 - 30
Ensemble cast.
To be shot in Los Angeles.
Please respond to Rakshak at rakubaby@gmail.com
If you'd prefer, send a synopsis that fits the above information with your contact info and then we can arrange to talk about the script if you's rather not send the script.
Location: Hollywood
Compensation: % of budget
More information here.
Read more
Looking for a caper, slice of life, drama, movies like ''Departed'', ''Mean Streets'', ''The Town'', or drama like ''Slumdog Millionaire ''.
Age Range: 25 - 30
Ensemble cast.
To be shot in Los Angeles.
Please respond to Rakshak at rakubaby@gmail.com
If you'd prefer, send a synopsis that fits the above information with your contact info and then we can arrange to talk about the script if you's rather not send the script.
Location: Hollywood
Compensation: % of budget
More information here.
24 December 2010
CRAFT Scriptwriting/ Screenplay Workshop (India)
Dates: 3 - 5 January 2011
Contact: Bharti Khanna
Tel: 011-32916868, 32416868
Email: bharti@log2craft.org
www.log2craft.org
SCRIPT WRITING/ SCREEN PLAY WORKSHOP - 3rd,4th,5th January 2010
This is to inform that three days Screen Play Workshop / Screen Writing Workshop by Atul Tewari will be held at Center For Research In Art Of Film & Television (CRAFT) on 3rd ,4th & 5th January 2011.
CRAFT
Center for Research in art of film and television.
272 First Floor Naharpur Car Market, Rohini Sector-7,
New Delhi - 110085.
If you would like to have more information about the above mentioned, screen writing workshop and interviews, kindly contact via Email at- bharti@log2craft.org or log on to www.log2craft.org or you can even contact us at above mentioned phone numbers
More information here.
Read more
Contact: Bharti Khanna
Tel: 011-32916868, 32416868
Email: bharti@log2craft.org
www.log2craft.org
SCRIPT WRITING/ SCREEN PLAY WORKSHOP - 3rd,4th,5th January 2010
This is to inform that three days Screen Play Workshop / Screen Writing Workshop by Atul Tewari will be held at Center For Research In Art Of Film & Television (CRAFT) on 3rd ,4th & 5th January 2011.
CRAFT
Center for Research in art of film and television.
272 First Floor Naharpur Car Market, Rohini Sector-7,
New Delhi - 110085.
If you would like to have more information about the above mentioned, screen writing workshop and interviews, kindly contact via Email at- bharti@log2craft.org or log on to www.log2craft.org or you can even contact us at above mentioned phone numbers
More information here.
14 December 2010
Call for Screenplays/ Pitches: Series About Muslim New Yorkers
Reply to: gigs-rnwww-2110748729@craigslist.org
SCREENWRITERS in New York: be a part of this exciting project to create a web series about Muslim New Yorkers. This is a thoroughly researched, low budget but paid gig.
We are looking for screenwriters to pitch episodes based on the characters in our series bible. In addition, screenwriters will be needed to write and rewrite the scripts, in close collaboration with the director and producers. You will want this writing credit when this project takes off!
This is a serial drama taking place inside a New York mosque, where American muslims find their place in Islam, in New York, and in post-9/11 America. Shooting will take place in June.
Writers with an understanding of Islam is preferred but not necessary.
Email to send a sample of your writing (script of no more than 10 pages) and to request a series bible.
More information here.
Read more
SCREENWRITERS in New York: be a part of this exciting project to create a web series about Muslim New Yorkers. This is a thoroughly researched, low budget but paid gig.
We are looking for screenwriters to pitch episodes based on the characters in our series bible. In addition, screenwriters will be needed to write and rewrite the scripts, in close collaboration with the director and producers. You will want this writing credit when this project takes off!
This is a serial drama taking place inside a New York mosque, where American muslims find their place in Islam, in New York, and in post-9/11 America. Shooting will take place in June.
Writers with an understanding of Islam is preferred but not necessary.
Email to send a sample of your writing (script of no more than 10 pages) and to request a series bible.
More information here.
13 November 2010
The 7th Rawi Screenwriters' Lab for Arab Screenwriters/ Filmmakers
Deadline: 1 June 2011
Important information:
* The 7th round of Rawi Screenwriters’ Lab will take place next fall, 2011 in Wadi Feynan’s Eco-Lodge in Jordan.
* The online Application Form is available from March 1st till June 1st, 2011.
* For further informations please write to rawi@film.jo.
Eligibility:
* Rawi Screenwriters’ Lab is open for screenwriters, co-writers, or writers /directors.
* Screenwriters working on their first or second narrative feature screenplay can apply.
* Applicants must submit a COMPLETE NARRATIVE FEATURE SCREENPLAY.
* Only Arab screenwriters/ filmmakers are eligible to apply, regardless of their country of residence.
About Rawi Screenwriters' Lab:
In 2005 the Royal Film Commission - Jordan (RFC) launched Rawi (Storyteller), a screenplay development lab, in consultation with the Sundance Institute. Independent Arab screenwriters (Fellows) are offered the chance to develop their work in a uniquely creative environment under the guidance of internationally acclaimed screenwriters from all over the world (Creative Advisors).
At the beginning of autumn each year, fellows and advisors descend into the depths of Jordan's southern desert, to the remote eco-lodge of Wadi Feynan, where for five days, they work intensively on their feature narrative screenplays. Each fellow will have a one-on-one story session with the lab's creative advisors. The advisors’ guidance ranges from improving the fellow's technique as a screenwriter, to life lessons and practical suggestions to be explored in their next draft. Emphasis is placed on each fellow's individual voice and story.
Over the past five years, Rawi supported 45 emerging screenwriters. Completed projects by Rawi’s Alumni include: POMEGRANATES AND MYRRH written and directed by Najwa Najjar, AMREEKA written and directed by Cherien Dabis and SON OF BABYLON written and directed by Mohamed Al Daradji. For more information on other participants check the complete list of Rawi Alumni & Advisors.
For any queries please find our FAQ page. If your questions remain unanswered, write to rawi@film.jo or call The Royal Film Commission - Jordan at: Tel: +962 6 461 3835
More information here.
Read more
Important information:
* The 7th round of Rawi Screenwriters’ Lab will take place next fall, 2011 in Wadi Feynan’s Eco-Lodge in Jordan.
* The online Application Form is available from March 1st till June 1st, 2011.
* For further informations please write to rawi@film.jo.
Eligibility:
* Rawi Screenwriters’ Lab is open for screenwriters, co-writers, or writers /directors.
* Screenwriters working on their first or second narrative feature screenplay can apply.
* Applicants must submit a COMPLETE NARRATIVE FEATURE SCREENPLAY.
* Only Arab screenwriters/ filmmakers are eligible to apply, regardless of their country of residence.
About Rawi Screenwriters' Lab:
In 2005 the Royal Film Commission - Jordan (RFC) launched Rawi (Storyteller), a screenplay development lab, in consultation with the Sundance Institute. Independent Arab screenwriters (Fellows) are offered the chance to develop their work in a uniquely creative environment under the guidance of internationally acclaimed screenwriters from all over the world (Creative Advisors).
At the beginning of autumn each year, fellows and advisors descend into the depths of Jordan's southern desert, to the remote eco-lodge of Wadi Feynan, where for five days, they work intensively on their feature narrative screenplays. Each fellow will have a one-on-one story session with the lab's creative advisors. The advisors’ guidance ranges from improving the fellow's technique as a screenwriter, to life lessons and practical suggestions to be explored in their next draft. Emphasis is placed on each fellow's individual voice and story.
Over the past five years, Rawi supported 45 emerging screenwriters. Completed projects by Rawi’s Alumni include: POMEGRANATES AND MYRRH written and directed by Najwa Najjar, AMREEKA written and directed by Cherien Dabis and SON OF BABYLON written and directed by Mohamed Al Daradji. For more information on other participants check the complete list of Rawi Alumni & Advisors.
For any queries please find our FAQ page. If your questions remain unanswered, write to rawi@film.jo or call The Royal Film Commission - Jordan at: Tel: +962 6 461 3835
More information here.
Call for Literary Submissions: Coast Anthology (Singapore Writers)
Deadline: 15 December 2010
Math Paper Press, in association with BooksActually, is pleased to announce that it is accepting submissions for a mono-titular anthology, “Coast”.
We would be pleased to receive submissions of verse, short prose, or short screenplays titled "Coast" from writers resident in Singapore.
"Coast" is a literary experiment that hopes to reflect a variety of creative works from published and unpublished writers across a single title. Works written outside of the English language should be accompanied by an English translation.
Submission guidelines:
1) The title of works written and submitted for the anthology must be: "Coast". There are no restrictions as to the interpretation of the word "Coast" within the body of your work.
2) Please address your submissions to coast.editors@gmail.com by 15 December 2010
3) Submissions should be attached to the email in PDF or .doc format, with the text also pasted within the body of the email. Please include your full name and Singapore residential address.
"Coast" will be edited by Daren Shiau and Lee Wei Fen.
Please address your submissions of your work titled "Coast" to the Coast editors at "coast.editors@gmail.com".
Anchor contributors for this seminal anthology include Alvin Pang, Cyril Wong, Felix Cheong and Toh Hsien Min".
More information here.
Read more
Math Paper Press, in association with BooksActually, is pleased to announce that it is accepting submissions for a mono-titular anthology, “Coast”.
We would be pleased to receive submissions of verse, short prose, or short screenplays titled "Coast" from writers resident in Singapore.
"Coast" is a literary experiment that hopes to reflect a variety of creative works from published and unpublished writers across a single title. Works written outside of the English language should be accompanied by an English translation.
Submission guidelines:
1) The title of works written and submitted for the anthology must be: "Coast". There are no restrictions as to the interpretation of the word "Coast" within the body of your work.
2) Please address your submissions to coast.editors@gmail.com by 15 December 2010
3) Submissions should be attached to the email in PDF or .doc format, with the text also pasted within the body of the email. Please include your full name and Singapore residential address.
"Coast" will be edited by Daren Shiau and Lee Wei Fen.
Please address your submissions of your work titled "Coast" to the Coast editors at "coast.editors@gmail.com".
Anchor contributors for this seminal anthology include Alvin Pang, Cyril Wong, Felix Cheong and Toh Hsien Min".
More information here.
07 September 2010
BBC UK Accepts Submissions for All Mixed Up (scripts reflecting diverse Britain)
Deadline/Date: 20 September 2010
All Mixed Up - Terms and Conditions
1. The BBC's code of conduct for competitions applies to this competition.
2. The competition is open to writers and writer/performers who are residents in the UK (including Channel Islands and the Isle of Man) and can demonstrate some professional achievement. They will either have had work broadcast, had work commissioned for development by a broadcaster, production company or theatre company, or had their work publicly performed. Entrants must be aged 18 or over, and cannot be employees of the BBC or its affiliates, their close relatives or any person connected to the competition. Proof of age, identity and eligibility may be requested.
3. Entrants should submit 10 pages of a narrative script reflecting the theme of the competition, with the writer's name on each page, and a writing CV, including their name, address, date of birth and telephone number.
4. The BBC will only ever use personal details for the purposes of administering this competition. Please see the BBC's Privacy Policy.
5. Each script should have a maximum of six characters, and take place in no more than three sets or locations. Scripts which don't observe these requirements will not be considered.
6. The competition opens at 10:00am on 1 September 2010.
7. Entries must be submitted by email to the following email address: collegeofcomedy@bbc.co.uk. No other method of entry will be accepted.
8. Closing time for entries is 12:00midnight 20 September 2010. Submissions received after this time will not be considered. Entries will not be returned so please remember to keep a copy. Unsuccessful entrants will not be contacted and no feedback on any entry will be provided.
9. Entrants can enter individually or as part of a writing team. If entering as a team, all entrants must meet the entry requirements. Only one entry per person or team is permitted. If you submit more than one entry, only the first entry received will be considered.
10. All entries must be the original work of the entrant and must not infringe the rights of any other party. The BBC accepts no liability if entrants ignore these rules and entrants agree to fully indemnify the BBC against any claims by any third party arising from any breach of these rules.
11. Entries must not contain defamatory, obscene, offensive or any other unsuitable material. Entries must be suitable to be broadcast by the BBC to audiences of all ages.
12. Entries must not mention surnames, school names, sports club names, addresses, telephone numbers, or details of specific places that could identify anyone without that person's permission.
13. Entrants retain the copyright in their entries but grant to the BBC a non-exclusive licence to broadcast their entry across all media, as well as use it on any online platforms.
14. Entrants permit the BBC to edit or change entries in any way it may in its sole discretion consider necessary for the purposes of use in the competition and the uses set out in clause 15 above.
15. By entering the competition, entrants warrant that they have legal capacity to enter the competition and agree to be bound by these terms and conditions.
16. Entries will be judged on the following criteria:
The script demonstrates:
* an interesting representation of multi-cultural Britain;
* an original voice;
* strong characters;
* engaging stories, and
* a comedy style that will speak to a broad audience.
Entries will be judged through the following process:
All entries will be reviewed by two people with experience of television comedy, who will select a long-list, based on which scripts best fulfil the criteria outlined above.
All entries on the long-list will then be reviewed by three comedy practitioners, who will select a shortlist of six, based on which scripts best fulfil the criteria outlined above.
17. The best six writers will be invited to submit a complete script, and will attend a development workshop in mid-October. Rewritten scripts will be submitted by mid-November, and extracts from the six will be showcased with professional actors, and judged by an expert panel on the evening of 4 December, when the winners will be announced.
18. BBC will contact the selected best six writers two weeks before the development workshop. If the selected entrants cannot be contacted after reasonable attempts have been made to do so, the BBC reserves the right to select the next best entry. The BBC will meet the reasonable travel expenses of the six writers to and from the workshop.
19. The option fee for the winning script will be £1,000, and for the second script £500, granting the BBC exclusive development rights for a six-month period.
More information here.
Read more
All Mixed Up - Terms and Conditions
1. The BBC's code of conduct for competitions applies to this competition.
2. The competition is open to writers and writer/performers who are residents in the UK (including Channel Islands and the Isle of Man) and can demonstrate some professional achievement. They will either have had work broadcast, had work commissioned for development by a broadcaster, production company or theatre company, or had their work publicly performed. Entrants must be aged 18 or over, and cannot be employees of the BBC or its affiliates, their close relatives or any person connected to the competition. Proof of age, identity and eligibility may be requested.
3. Entrants should submit 10 pages of a narrative script reflecting the theme of the competition, with the writer's name on each page, and a writing CV, including their name, address, date of birth and telephone number.
4. The BBC will only ever use personal details for the purposes of administering this competition. Please see the BBC's Privacy Policy.
5. Each script should have a maximum of six characters, and take place in no more than three sets or locations. Scripts which don't observe these requirements will not be considered.
6. The competition opens at 10:00am on 1 September 2010.
7. Entries must be submitted by email to the following email address: collegeofcomedy@bbc.co.uk. No other method of entry will be accepted.
8. Closing time for entries is 12:00midnight 20 September 2010. Submissions received after this time will not be considered. Entries will not be returned so please remember to keep a copy. Unsuccessful entrants will not be contacted and no feedback on any entry will be provided.
9. Entrants can enter individually or as part of a writing team. If entering as a team, all entrants must meet the entry requirements. Only one entry per person or team is permitted. If you submit more than one entry, only the first entry received will be considered.
10. All entries must be the original work of the entrant and must not infringe the rights of any other party. The BBC accepts no liability if entrants ignore these rules and entrants agree to fully indemnify the BBC against any claims by any third party arising from any breach of these rules.
11. Entries must not contain defamatory, obscene, offensive or any other unsuitable material. Entries must be suitable to be broadcast by the BBC to audiences of all ages.
12. Entries must not mention surnames, school names, sports club names, addresses, telephone numbers, or details of specific places that could identify anyone without that person's permission.
13. Entrants retain the copyright in their entries but grant to the BBC a non-exclusive licence to broadcast their entry across all media, as well as use it on any online platforms.
14. Entrants permit the BBC to edit or change entries in any way it may in its sole discretion consider necessary for the purposes of use in the competition and the uses set out in clause 15 above.
15. By entering the competition, entrants warrant that they have legal capacity to enter the competition and agree to be bound by these terms and conditions.
16. Entries will be judged on the following criteria:
The script demonstrates:
* an interesting representation of multi-cultural Britain;
* an original voice;
* strong characters;
* engaging stories, and
* a comedy style that will speak to a broad audience.
Entries will be judged through the following process:
All entries will be reviewed by two people with experience of television comedy, who will select a long-list, based on which scripts best fulfil the criteria outlined above.
All entries on the long-list will then be reviewed by three comedy practitioners, who will select a shortlist of six, based on which scripts best fulfil the criteria outlined above.
17. The best six writers will be invited to submit a complete script, and will attend a development workshop in mid-October. Rewritten scripts will be submitted by mid-November, and extracts from the six will be showcased with professional actors, and judged by an expert panel on the evening of 4 December, when the winners will be announced.
18. BBC will contact the selected best six writers two weeks before the development workshop. If the selected entrants cannot be contacted after reasonable attempts have been made to do so, the BBC reserves the right to select the next best entry. The BBC will meet the reasonable travel expenses of the six writers to and from the workshop.
19. The option fee for the winning script will be £1,000, and for the second script £500, granting the BBC exclusive development rights for a six-month period.
More information here.
24 August 2010
Delhi Writers / Sriptwriters for Film, TV, Commercials Wanted
Position: Writer/ Scriptwriter
Location: Mumbai, Delhi
Seeking applicants from: India
Salary:
Converted US$ Rate*:
*based on coinmill.com rates at the time of posting
Deadline:
Company name:
Contact:
Desired Candidate Profile
Our clients would prefer candidates with prior experience in writing in FILM, TV, Events, Shows and News. Freshers can also apply.
Job Description
Hoonur.com and its clients are looking for writers, story and script writers for various Film, TV, Reality shows and events.
Hoonur.com is an initiative of Balaji Telefilms.
It is for people looking for a career in the entertainment industry and want to showcase their multifaceted talent within FIlm, TV, Advertising and Fashion industry.
Company Name: Hoonur.com (A Balaji Telefilms Initiative)
Website: http://www.hoonur.com
Apply here.
Read more
Location: Mumbai, Delhi
Seeking applicants from: India
Salary:
Converted US$ Rate*:
*based on coinmill.com rates at the time of posting
Deadline:
Company name:
Contact:
Desired Candidate Profile
Our clients would prefer candidates with prior experience in writing in FILM, TV, Events, Shows and News. Freshers can also apply.
Job Description
Hoonur.com and its clients are looking for writers, story and script writers for various Film, TV, Reality shows and events.
Hoonur.com is an initiative of Balaji Telefilms.
It is for people looking for a career in the entertainment industry and want to showcase their multifaceted talent within FIlm, TV, Advertising and Fashion industry.
Company Name: Hoonur.com (A Balaji Telefilms Initiative)
Website: http://www.hoonur.com
Apply here.
22 August 2010
Cinetaria/ Writers Guild of India Workshop on Film and TV Screenwriting
When: 29 August 2010
Where: Vijayawada India
Cinetaria and Writers Guild of India are jointly organizing one day exclusive workshop on Film & TV Screenwriting.
Workshop Designed on
Art & Craf of the Film & TV Screenwriting
The Screenwriting workshop is designed to develop the art & craft of Screenwriting, focusing on the dominant Screenplay, format of the Motion Picture Industry. Participants explore styles, formats, development of character, arcs and relationships through the creation of a special screenplay.
Successful Storytelling
Using the story development techniques to create, adapt and analyze story spines. Participants will discover what makes stories appearing, engaging and worth telling, techniques or quickly fixing a mediocre of bad one will be covered.
Workshop Curriculum:
Introduction to Screenwriting
Creative Writing Strategy
Brainstorming
Form and Function Genre
Film & TV Script Writing Formats
Characterization and Character Development
Non-Fiction Writing / Fiction Writing
Treatment for Screenplay
Film vs. Television
Writing a Short Script
Practicals
Brainstorming
Development of Story Idea or Story Line
Story Development
Characterization
One line Order
Screenplay writing practice
Dialogue Writing for Film & TV
Storyboard writing practice
Technical Shooting Script writing practice
Material Provided in Workshop
Workshop File
Writing Book & Pen
Free Gifts for Participants
Hollywood Scriptwriting Software (Worth Rs. 1250/-)
Film Glossary
Participation Certificate
One Day Participation Certificate will be issued after the completion of Screenwriting workshop.
Free Membership in Writers Guild
Writers Guild of India are providing a 3 year membership in the union for the participants. (Worth Rs. 2200/-)
Workshop Fees: Rs. 650/- Only.
Date: 29 Aug 2010
9AM to 5.30 PM
Venue: Vijayawada
More information here.
21 August 2010
Premio Tomas Arejola 2010 For Bicolano Writers
Deadline: 31 August 2010
Geographical Restrictions: open to writers writing in Bicolano
Reading Fee: none
Accepts (genre): poetry, fiction, short stories for children, plays, essays, novels, screenplays
Prize/Payment: P5000
The Premio Tomas Arejola para sa Literaturang Bikolnon (PTALB) is now accepting entries for its regular categories, namely: rawitdawit (poetry), osipon (fiction), osipon na pan-aki (stories for children), halipot na pasali na pan-entablado (one-act play), halawig na pasali na pan-entablado (full-length play), saysay (essay), nobela (novel), and the new category, halipot na pasali na pan-pelikula (screenplay for short films), Carlos Arejola, chair of the region-wide literary competition announced recently.
Widely regarded as Bicol's premiere literary prize, the annual writing contest is open to all Bicolano writers and literary enthusiasts based in the region or elsewhere. New, unproduced, and unpublished works written in any of the variations of the Bikol language (e.g. Bikol Rinconada, Bikol Albay, Bikol Naga, etc) that show literary merit and social significance are eligible for the competition. Category winners receive P5,000 and the Premio Arejola medallion, and are eligible for the P10,000 cash prize and the title Parasurat kan Taon (Writer of the Year).
Also up for grabs are prizes for the Rawitdawit para ki Ina (Poems for the Lady of Peñafrancia), a special category open to pupils of the elementary level, high school students and out-of-school youth not more than 18 years old. The category was inaugurated in 2008 to engender the creation of literary works that articulates a young person's devotional sentiments to the Lady of Peñafrancia and states, in poetic manner, the significance of such devotion in today's world. Private catholic schools, universities, and public high schools have participated in the category, which awards a specially-designed medallion and cash and prizes worth 3,000.00 for the winner and his/her coach.
Likewise being accepted are entries for the Premio Bibiano Sabino para sa Librong Bikol, now also in its 3rd year. The category is open to book authors, book designers/ illustrators, anthologists/editors and publishers of Bikol literary titles. To qualify, the book must be written in the Bikol language, edited/ anthologized, designed/ illustrated by a Bicolano native or resident. Titles published and distributed between September 2009 and August 2010 are eligible for the said book prize. The winner will receive a testimonial plague, P5, 000, and shall be listed in the roster along with the winners of the regular and special categories and Lifetime Achievement Awardees.
All short-listed entries will be awarded Diplomas of Merit in awards ceremony on October. Entries for all categories must be received on or before August 31, 2010.
More information here.
Read more
Geographical Restrictions: open to writers writing in Bicolano
Reading Fee: none
Accepts (genre): poetry, fiction, short stories for children, plays, essays, novels, screenplays
Prize/Payment: P5000
The Premio Tomas Arejola para sa Literaturang Bikolnon (PTALB) is now accepting entries for its regular categories, namely: rawitdawit (poetry), osipon (fiction), osipon na pan-aki (stories for children), halipot na pasali na pan-entablado (one-act play), halawig na pasali na pan-entablado (full-length play), saysay (essay), nobela (novel), and the new category, halipot na pasali na pan-pelikula (screenplay for short films), Carlos Arejola, chair of the region-wide literary competition announced recently.
Widely regarded as Bicol's premiere literary prize, the annual writing contest is open to all Bicolano writers and literary enthusiasts based in the region or elsewhere. New, unproduced, and unpublished works written in any of the variations of the Bikol language (e.g. Bikol Rinconada, Bikol Albay, Bikol Naga, etc) that show literary merit and social significance are eligible for the competition. Category winners receive P5,000 and the Premio Arejola medallion, and are eligible for the P10,000 cash prize and the title Parasurat kan Taon (Writer of the Year).
Also up for grabs are prizes for the Rawitdawit para ki Ina (Poems for the Lady of Peñafrancia), a special category open to pupils of the elementary level, high school students and out-of-school youth not more than 18 years old. The category was inaugurated in 2008 to engender the creation of literary works that articulates a young person's devotional sentiments to the Lady of Peñafrancia and states, in poetic manner, the significance of such devotion in today's world. Private catholic schools, universities, and public high schools have participated in the category, which awards a specially-designed medallion and cash and prizes worth 3,000.00 for the winner and his/her coach.
Likewise being accepted are entries for the Premio Bibiano Sabino para sa Librong Bikol, now also in its 3rd year. The category is open to book authors, book designers/ illustrators, anthologists/editors and publishers of Bikol literary titles. To qualify, the book must be written in the Bikol language, edited/ anthologized, designed/ illustrated by a Bicolano native or resident. Titles published and distributed between September 2009 and August 2010 are eligible for the said book prize. The winner will receive a testimonial plague, P5, 000, and shall be listed in the roster along with the winners of the regular and special categories and Lifetime Achievement Awardees.
All short-listed entries will be awarded Diplomas of Merit in awards ceremony on October. Entries for all categories must be received on or before August 31, 2010.
More information here.
11 August 2010
Hindi Screenwriters Needed
Deadline: undisclosed
Geographical coverage: Mumabi, India
Reading Fee: n/a
Accepts (genre): screenplays
Prize/Payment: undisclosed
Contact: ps24@hotmail.com
Looking for young, dynamic writers with good command over Hindi as well as English,for a new Hindi film. They should have enough experience in writing movie scripts & screenplays. Inexperienced/first-timers, please stay away. Please mail your resumes to ps24@hotmail.com.
Important: Only resumes with sample stories will be entertained.
More information here.
Read more
Geographical coverage: Mumabi, India
Reading Fee: n/a
Accepts (genre): screenplays
Prize/Payment: undisclosed
Contact: ps24@hotmail.com
Looking for young, dynamic writers with good command over Hindi as well as English,for a new Hindi film. They should have enough experience in writing movie scripts & screenplays. Inexperienced/first-timers, please stay away. Please mail your resumes to ps24@hotmail.com.
Important: Only resumes with sample stories will be entertained.
More information here.
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