07 June 2012
The First Annual Tu Books New Vision Award ($1,000 prize | US-resident writers of color)
Deadline: 30 October 2012

TU BOOKS, the fantasy, science fiction, and mystery imprint of LEE & LOW BOOKS, award-winning publisher of children’s books, is pleased to announce the first annual NEW VISIONS AWARD. The NEW VISIONS AWARD will be given for a middle grade or young adult fantasy, science fiction, or mystery novel by a writer of color. The Award winner receives a cash grant of $1000 and our standard publication contract, including our basic advance and royalties for a first time author. An Honor Award winner will receive a cash grant of $500.

TU BOOKS was launched in 2010, dedicated to diversity in the beloved genre fiction market for young people. Titles include Wolf Mark, Tankborn, and Cat Girl’s Day Off. Fall 2012 will bring the publication of Morris Award nominee and Pura Belpré Award winner Guadalupe Garcia McCall’s Summer of the Mariposas.

ELIGIBILITY

1. The contest is open to writers of color who are residents of the United States and who have not previously had a middle grade or young adult novel published.

2. Writers who have published work in other venues such as children’s magazines or picture books, or adult fiction or nonfiction, are eligible. Only unagented submissions will be accepted.

3. Work that has been published in its entirety in any format (including online and self publishing) is not eligible. Manuscripts previously submitted to TU BOOKS will not be considered.

SUBMISSIONS

1. Manuscripts should address the needs of children of color by providing stories with which they can identify and relate, and which promote a greater understanding of one another.

2. Submissions may be FANTASY, SCIENCE FICTION, or MYSTERY novels for children ages 8 to 12 or young adults ages 12 to 18. Realistic stories without a mystery or speculative component will not be considered.

3. Submissions should include a synopsis of the story plus the first three (3) chapters accompanied by a cover letter that includes the author’s name, address, phone number, email address, brief biographical note, relevant cultural and ethnic information, how the author heard about the award, and publication history, if any. Do not send the entire manuscript.

4. Manuscripts should be printed in a clear 12-point font, double-spaced, on 8½” x 11” paper. Submissions will not be returned, so do not submit your only copy.

5. Up to two submissions per entrant. Each submission should be submitted separately.

6. Submissions should be clearly addressed to:

TU BOOKS
95 Madison Avenue
New York, NY 10016
ATTN: NEW VISIONS AWARD

7. Manuscripts may not be submitted to other publishers or to TU BOOKS general submissions while under consideration for this award. TU BOOKS is not responsible for late, lost, or incorrectly addressed or delivered submissions.

DATES FOR SUBMISSION

Manuscripts will be accepted from June 1, 2012, through October 30, 2012 and must be postmarked within that period.

ANNOUNCEMENT OF FINALIST AND WINNERS

1. Finalists will be announced and full manuscripts requested no later than January 15, 2013. If your full manuscript is requested, it must be received by TU BOOKS by January 31, 2013.

2. Submissions will not be returned. Be sure to retain a copy of your submission.

3. Judges are the editors of TU BOOKS and LEE & LOW BOOKS. The decision of the judges is final.

4. The Award and Honor winners will be selected from among the full manuscripts requested and will be announced no later than March 31, 2013. At least one Honor winner will be chosen each year, but TU BOOKS reserves the right not to choose an Award winner.

CONTACT INFORMATION:

For queries: general@leeandlow.com

For submissions: TU BOOKS, 95 Madison Avenue, New York, NY 10016, ATTN: NEW VISIONS AWARD

Website: http://www.leeandlow.com/
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06 June 2012
Call for Articles for Edited Collection: Ethnic Perspectives on Ethnic Literatures
Deadline: 1 September 2012

Inspired by Simon Ortiz’s “Towards a National Indian Literature: Cultural Authenticity in Nationalism” and Jace Weaver, Craig Womack, and Robert Allen Warrior’s American Indian Literary Nationalism, this collection will be a site for emerging as well as well-known ethnic critics and theorists to illustrate where they see their respective fields heading and construct perspectives outside of western ideologies. This collection will include 5 key areas: African American, Asian American, Latin American, Native American, and Arabic American literature and criticism. The first four areas represent the larger areas of ethnic studies in the academy today and will provide a necessary counter-point to the predominantly western (i.e. white) critical perspectives that populate much of the criticism available to scholars today. And given the rise in anti-Arab racism and attitudes in the popular media in the wake of 9/11, the final area will provide readers with a necessary rebuttal to a popular media that seeks to dehumanize and silence contemporary Arabic voices.

We invite article-length submissions in the following areas:

· The state of ethnic theory/theories--present and future
· Commentary on important moments/critics from the past
· Comparison of theory between ethnic literatures
· Application of theory to ethnic texts (literature, art, music, pop-culture, etc.)
· Application of ethnic theory to non-ethnic texts

Please send submissions and queries regarding specific categories to:

· J. Stephen Pearson stpears11@gmail.com (African American, Asian American, & Latin American)
· Carrie Louise Sheffield carrielouisesheffield@gmail.com (Native American, & Arabic American)
All submissions must be submitted in .docx or .rtf format by 1 September 2012.

CONTACT INFORMATION:

For queries/ submissions: stpears11@gmail.com or carrielouisesheffield@gmail.com
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04 June 2012
Call for Essays on Asian American Literature: AALDP Journal 2013 Volume
Deadline: 20 July 2012

This is a general issue open to all high-quality essays that focus on Asian American Literature in a way that would be useful for our broad readership of both students and teachers. We are especially interested in essays that provide insights into the teaching of various kinds of Asian American literature and culture.

AALDP is an online journal accessible to all readers without any subscription fees or required membership in proprietary databases. However, we are indexed by proprietary databases in our discipline. We accept and even encourage full color images as long as the author gains permission to have these images displayed on the web. Authors retain copyright of their work through a Creative Commons licensing agreement.

For consideration in the 2013 volume, we would appreciate that you submit essays in MLA-style format and without your name on the document itself by July 20, 2012 so that we can begin the peer review process.

CONTACT INFORMATION:

For submissions: via the online form

Website: http://onlinejournals.sjsu.edu/index.php/AALDP/index
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Call for Essays on Asian American Literature: AALDP Journal 2013 Volume

American Institute of Indian Studies Performing and Creative Arts Fellowships 2013 - 2014
Deadline: 1 July 2012

The AMERICAN INSTITUTE OF INDIAN STUDIES is a cooperative, non-profit organization of sixty-eight American colleges and universities that supports the advancement of knowledge and understanding of India, its people, and culture. AIIS welcomes applicants from a wide variety of disciplines. It especially encourages applicants in fields such as Development Studies, Natural Resources Management, Public Health, and Regional Planning.

APPLICATIONS TO CONDUCT RESEARCH IN INDIA MAY BE MADE IN THE FOLLOWING CATEGORIES:

Senior Performing and Creative Arts Fellowships . Available to accomplished practitioners of the performing arts of India and creative artists who demonstrate that study in India would enhance their skills, develop their capabilities to teach or perform in the U.S., enhance American involvement with India’s artistic traditions, and strengthen their links with peers in India. Awards will normally be for periods of up to four months, although proposals for periods of up to nine months can be considered.

Junior Research Fellowships . Available to doctoral candidates at U.S. universities in all fields of study. Junior Research Fellowships are specifically designed to enable doctoral candidates to pursue their dissertation research in India. Junior Research Fellows establish formal affiliation with Indian universities and Indian research supervisors. Awards are available for up to eleven months.

Senior Research Fellowships . Available to scholars who hold the Ph.D. or its equivalent. Senior Fellowships are designed to enable scholars in all disciplines who specialize in South Asia to pursue further research in India. Senior Fellows establish formal affiliation with an Indian institution. Short-term awards are available for up to four months. Long-term awards are available for six to nine months. A limited number of humanists will be granted fellowships paid in dollars funded by the National Endowment for the Humanities.

Senior Scholarly/Professional Development Fellowships . Available to established scholars who have not previously specialized in Indian studies and to established professionals who have not previously worked or studied in India. Senior Scholarly/Professional Development Fellows are formally affiliated with an Indian institution. Awards may be granted for periods of six to nine months.

Non U.S. citizens are welcome to apply for AIIS fellowships as long as they are either graduate students or full-time faculty at a college or university in the U.S. Citizens of the United States, however, can apply for senior fellowships if they are not affiliated with an institution of higher education in the U.S. The fellowship competition is open to all applicants and is NOT restricted to applicants from AIIS member institutions. Fellowships for U.S. citizens are funded by the National Endowment for the Humanities (also available to permanent residents); the Bureau of Educational and Cultural Affairs of the United States State Department and the Council of American Overseas Research Centers under the Fulbright-Hays Act of 1961, as amended; and the Smithsonian Institution. Some fellowships for non-U.S. citizens and artists can be funded from the AIIS Rupee Endowment in India. Fellowships for six months or more may include limited coverage for dependents.

THE RESEARCH FELLOWSHIP APPLICATION PACKET INCLUDES THE FOLLOWING DOCUMENTS:

All or specific sections of the packet can be downloaded as Word documents or pdf files. Pdfs use Acrobat Reader software. A free copy of this software is available at the Abode website.

NOTE: To type on the pdf forms, you must save the documents on your hard drive. They can be opened using Adobe Acrobat (not the same as Acrobat Reader). Use the touch-up-text function to type on the forms.

APPLICATION INSTRUCTIONS AND GUIDELINES

Please read all application materials carefully. All forms in the application packet must be completed and submitted electronically.

GUIDELINES
  • Applications that do not meet the requirements listed below will NOT be considered and the processing fee will not be returned.
  • Applicants will be notified of the selection committee’s decisions by the beginning of October. The earliest possible departure date for India by awardees is eleven (11) months following the date of application submission.
  • Two full years must have elapsed between the completion of a previous AIIS fellowship and the current application deadline. This rule does NOT apply to recipients of AIIS language program fellowships.
  • AIIS Fellows may not hold another major grant during the fellowship period.
  • Applications from scholars who are part of a collaborative project involving other scholars are welcome, though AIIS fellowships are granted to individuals not to teams. Amounts awarded to successful applicants who are members of group projects will be equivalent to fellowships awarded to scholars who submitted applications for individual projects.

EVALUATION CRITERIA

The Selection Committee will assess each application on the following basis:
  • The project description
  • The candidate’s academic and/or professional record
  • The quality of references.

Members of the Selection Committee represent a number of different academic disciplines within the field of Indian Studies, so the applicant must explain the nature and significance of the project in terms intelligible to a non-specialist audience. Please avoid jargon and be as concise as possible.

Applicants who are not affiliated with an AIIS member institution are WELCOME to apply.

REVIEWER WORKSHEET

The Reviewer Worksheet provides basic identifying information about the proposed project. It is used in the review process to summarize the three primary areas of competitive review:
  • Project Description
  • Academic and/or Professional Record
  • Quality of References

The Reviewer Worksheet also enables the AIIS to summarize general information about the applicant pool and the range of subject matter submitted to it for consideration. Summary statements with this kind of information enable the Institute to solicit funds for its fellowship program.

AFFILIATION WITH AN INSTITUTION IN INDIA

The Indian Government requires all foreign scholars be associated with an Indian institution.
  • The Institute will arrange institutional affiliation for fellows.
  • Non-Indian citizens will need a research visa to do research in India. A certificate of affiliation from an Indian institution is required to obtain the research visa.
  • No fellowship funds will be released until AIIS has obtained a certificate of affiliation.

Please provide the names of three institutions with which you wish to be affiliated on the affiliate sponsor form. Please CAREFULLY read the information regarding affiliation on the affiliate sponsor form. The Institute will pursue affiliation on your behalf to expedite the project approval process.

INSTRUCTIONS
  • Be sure to answer each question on the form. If all questions are not answered, the application may be rejected.
  • The application must be typed and all questions answered on the form itself. It is not acceptable to refer to appended material.
  • The application deadline for the AIIS Fellowship Competition is July 1.
  • Applications must be attached in an email to AIIS (aiis@uchicago.edu).
  • It is the responsibility of the applicant to ensure that all application materials, including letters of recommendation are received prior to the deadline. Late materials will not be considered.
  • Please save your completed application for your files as you may need it for reference over the next two years.
  • For the question regarding current status or title, if you are a faculty member, please indicate whether you are tenured or untenured.
  • The Project Summary must be typed on both the Application for Fellowship and the Reviewer Worksheet.
  • Please consult the application checklist and create ONE pdf file to include all of the components of your application.

When naming your discipline, please choose one only from the following categories:
  • Anthropology
  • Archaeology
  • Architecture
  • Art
  • Behavioral Sciences
  • Communications
  • Cultural Studies
  • Economics
  • Education
  • Environmental Studies
  • Ethnomusicology
  • Film/Photography
  • Gender/Sexuality Studies
  • Geography
  • History
  • History of Art/Architecture
  • History of Science
  • Linguistics
  • Literature
  • Medicine
  • Natural Sciences
  • Performance Studies
  • Performing Arts
  • Philosophy
  • Political Science
  • Public Health
  • Religious Studies
  • Sociology
  • Technology Studies
  • Urban Planning

Please also include five short key phrases that would describe your project. For example for a project on agrarian social movements in the early twentieth century north India you could say: early twentieth-century history; agrarian movements in north India; agricultural workers’ rights movements; twentieth century social movements.

SUPPLEMENTAL MATERIALS

Please refer to the Application Checklist when assembling your application and submit the checklist with your application materials to AIIS.

PROJECT STATEMENT

All applications must include a project statement fully describing proposed research. Be sure to clearly include:
  • Reasons for pursuing this research
  • The significance of your project and its relevance to other scholarship
  • Research methodology
  • Anticipated results of your study
  • Time-table for completing the project

If the completion of this project requires research outside India, or if you plan a departure from India during the time of award, please note in the timetable for completion.

The project statement must conform to the following requirements:
  • It must be no longer than six (6) pages, double-spaced, with one-inch margins, and printed in a type size no smaller than 12 points.
  • The project statement must be clearly legible. Applications that do not conform to these specifications will not be read by the Committee or returned by the Institute.
  • Attach a one to three-page bibliography related to your project. Please remember that your proposal will be read and evaluated by a committee representing India specialists with diverse disciplinary expertise.
  • A curriculum vitae of no more than two (2) pages must also be submitted. It should include major publications with the names of publishers and dates of publication. Citations for articles and monographs must be complete. Please identify clearly all publications resulting from prior AIIS-supported research with an asterisk.
  • Applicants for the Junior Research Fellowship must include official transcripts from all undergraduate and graduate institutions attended in the U.S. with their application.
  • Applicants for the Senior Performing and Creative Arts Fellowship must provide a web-based link to some significant sample of their work, e.g. high quality videotape for filmmakers, dancers and perhaps musicians; high quality audio tape (if not video) for musicians; and photographs or slides for visual artists. Video and audio recordings should be continuous, not excerpted, and at least 15 minutes, but preferably a half hour in length. Materials will be returned at the candidate’s request.

CONFIDENTIAL REFERENCES

Each applicant must secure three letters of recommendation. Referees should have sufficient knowledge about the applicant and the proposed project to assess the project as well as the applicant’s qualifications to carry it out.

In the past, delinquent references have been the most serious problem in giving full consideration to an applicant’s proposal. The applicant is responsible for assuring timely submission of recommendations. Referees must submit their letters by email attachment to aiis@uchicago.edu. It is strongly recommend that you request letters of recommendation as soon as you start working on the application.

PROJECT INFORMATION SHEET

In order to obtain the certificate of affiliation, applicants must submit a two-page (maximum) project information sheet. This document should also be used for non-Indian citizens when it is time to obtain a research visa for India.

The project information sheet should provide the following information:
  • where the applicant wishes to go
  • what the applicant wishes to do
  • materials to be reviewed
  • types of information to be collected.

The project information sheet should not be written in jargon. Applicants should avoid discussing theoretical frameworks, methodological issues, literature reviews, etc. Please remember that the document is to be reviewed by non-academics for the purposes of issuing a certificate of affiliation and, eventually, the research visa. The AIIS selection committee will not review the two-page information sheets. AIIS staff will review the project sheets and will advise applicants to make changes where needed.

CONTACT INFORMATION:

For queries: call (773) 702-8638 or email aiis@uchicago.edu

For submissions:
aiis@uchicago.edu

Website: http://www.indiastudies.org/
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American Institute of Indian Studies Performing and Creative Arts Fellowships 2013 - 2014

03 June 2012
Scheduled June 10 | In This Skin: A Writing/ Performance Workshop with Aimee Suzara at Oakland Asian Cultural Center
Date: 10 June 2012 (2pm)

When it comes to body image, what is the importance of skin? Join Aimee Suzara, writer/performer and director of the Pagbabalik (Return) Project, for a writing workshop for women that allows you to explore attitudes around skin color, body image, and beauty. Develop gesture and text through guided writing and movement exercises. No experience necessary; all physical abilities welcome; ages 16 and up.

PRICE: $45. Early registration, before Jun 1, is $40. All must enroll by June 8.

This workshop is co-presented by Oakland Asian Cultural Center as part of their 2012 Asian Heritage Festival.

CONTACT INFORMATION:

For inquiries: contact booking@aimeesuzara.net
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31 May 2012
Call for Essays on Jewish American Poetry: Special Issue of Studies in American Jewish Literature
Deadline: 1 January 2013

For a special issue of Studies in American Jewish Literature, we seek critical and scholarly essays on Jewish American poetry - Jewish poetry written in America, American poetry written by Jews on matters Jewish, or American poetry written in Jewish languages, including Yiddish, Hebrew, and Ladino. The essays should consider questions of literary lineage, intertextuality, gender, genre, exegesis, translation, ethnicity, or identity. Comparative and interdisciplinary work is welcome. Deadline for submissions: January 1, 2013.

CONTACT INFORMATION:

For queries/ submissions: address queries or expressions of interest to both Maeera Shreiber (m.shreiber@english.utah.edu and Kathryn Hellerstein (khellers@sas.upenn.edu)
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29 May 2012
Job Opening: Manga Editor for Random House Publishing (New York)
Random House, Inc. is the world's largest general trade book publisher. It is a division of Bertelsmann AG, one of the foremost media companies in the world.

YOUR TASKS:

Random House Publisher Services is seeking a talented manga editor to help us publish 80-90 titles per year on behalf of our client, Kodansha Comics. The candidate should have a strong familiarity with comics and/or manga, excellent written and oral communication skills, and the ability to work independently and with a team, take initiative, and multitask on a daily basis.

DUTIES AND RESPONSIBILITIES INCLUDE:

** Hire translators, adaptors and freelance editors
** Edit the manuscript
** Deliver manuscript and page plan ready to go to production
** Review proofs
** Traffic materials to/from licensors and freelancers
** Clear approvals with Kodansha
** Set up freelancers in internal database, process invoices
** Coordinate schedules with the editorial and production staff
** Issue contracts to freelancers
** Process invoices
** Ensures that all deadlines are being met and maintained for 90 books per year
** Handle queries from freelance/production
** Assist in new title review and acquisition
** Write cover copy

REQUIREMENTS: Education: 4 Year Degree

Experience: 2-5 Years

The candidate also must be able to read Japanese.

As well as being detail oriented, organized, and able to meet short- and long-term schedules. Experience with Illustrator, InDesign, and Photoshop is helpful, but not required.

Thank you for your interest in Random House. Random House is an Affirmative Action/Equal Opportunity Employer.

Please apply using our online application process.

CONTACT INFORMATION:

For submissions: apply via Random House's career site here

Website: http://www.randomhouse.com/
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Job Opening: Manga Editor for Random House Publishing (New York)

The Fifteenth Annual Asian American Literary Awards
Deadline: 28 June 2012

Since 1998, The Asian American Writers' Workshop has presented the highest literary honor for writers of Asian American descent. We believe we are the only national organization that actively solicits entries to ensure that a comprehensive list of the year's Asian American books are entered into competition. Past winners of the award include Pulitzer Prize winner Jhumpa Lahiri, National Book Award winner Ha Jin, Pulitzer Prize Finalist Susan Choi, Booker Prize Finalist Amitav Ghosh, American Book Award winner Mei-Mei Berssenbrugge, and Guggenheim Fellow Arthur Sze, among many others. As these writers show, Asian American literature is not just a niche genre, but a central chapter in our nation's literature.

The Annual Asian American Literary Awards honor Asian American writers for excellence in three categories: (1) fiction,(2) poetry, and (3) nonfiction. Literary awards recipients are determined by a national panel of judges who are selected on the basis of expertise in a literary genre and/or experience in academic environments relevant to Asian American literature; residence in the U.S. and ethnic background as to create a diverse committee.

To qualify for our next award, a work must have been written by an individual of Asian descent living in the United States and published originally in English during the calendar year preceding the award year (for example, works published in 2011 are eligible for the 2012 Literary Awards). No self-published works will be considered. Award submissions are accepted in spring, with award recipients announced in Fall, and publicly presented during our Winter awards ceremony and literary festival.

Lifetime Achievement Award. The Workshop has also recognized notable writers and cultural figures for their contribution to Asian American literature through a lifetime achievement award. Past winners of this award include Jessica Hagedorn, Maxine Hong Kingston, David Henry Hwang, and Sonny Mehta.

Members' Choice Award. The Asian American Literary Awards Ceremony also features the Members' Choice Award. Initiated in 2000, the Members' Choice Award allows Workshop members to choose their favorite title of the previous publishing year. In order to participate in voting for this award, you must be a current member of The Asian American Writers' Workshop. Titles may only be eligible for consideration of Members' Choice Award if they have been entered in the Annual Asian American Literary Awards in one of the three categories above. Applications for the upcoming Fifteenth Annual Asian American Literary Awards are due Thursday June 28, 2012. Please view the guidelines and fill out the application on the following pages to apply.

THE AWARD

a.) The purpose of the Asian American Literary Award is to recognize an individual work written by an Asian American, on the basis of artistic and literary merit, during the calender year of 2011.

b.) The Award will be presented to a maximum of three works considered by the Judging Committee to be the best among all entries eligible for the Award.

c.) The Award consists of a crystal art piece etched with the name of the work, author and year; an opportunity to read at the Fifteenth Annual Literary Awards Ceremony in conjunction with PAGE TURNER: Asian American Literary Festival; additional media notification through press releases; and the possibility of going on a national award tour (up to five U.S. cities) sponsored in part by The Asian American Writers' Workshop.

ELIGIBLE WORKS

a.) Works eligible must have had premier publication during the calendar year 2011 (January 1, 2011 through December 31, 2011) and must have been published for general commercial release in the United States.

b.) Works shall be honored in three categories: 1) poetry; 2) fiction; and 3) nonfiction.

c.) Works must have been written by a person of Asian descent currently residing or who has resided in the continental U.S., Alaska and Hawaii. "Asia" is defined as the regions of East, South, Southeast, West Asia as well as the Pacific Islands. The Asian American Writers' Workshop and Judging Committee reserve the right to take the term "Asian descent" on a case-by-case basis if need be.

d.) Works must have been published by large, trade or small presses/publishers. Self-published works, 'zines or vanity publications are not eligible. Anthologies or books containing more than one author are not eligible.

e.) Works must be originally written in English.

f.) The Award may be awarded to works that have previously won other prizes or recognition.

ENTRY OF WORKS

a.) Entries may only be submitted by the author, agent, publicist or publisher of the work.

b.) A completed application form (next page) must be submitted with each entry (clear photocopies are acceptable); four copies of the work must also be submitted for review by the Judging Committee. No books will be returned. Additional copies may be requested for shortlisted works. All entries become the property of The Asian American Writers' Workshop or members of the Judging Committee.

c.) Authors, publicists, publishers or agents may submit more than one entry, but a separate application form must be completed for each entry.

d.) A $100.00 entry fee must accompany each separate entry. Checks should be made payable to "The Asian American Writers' Workshop." In the event that a participant cannot pay this fee, a waiver may be granted upon approval. Participants requesting a waiver must contact the Workshop prior to submitting an entry.

e.) Entries must be received by Thursday, June 28, 2012. No exceptions will be made. The Asian American Writers' Workshop will accept entries via First Class Mail, Fed Ex or UPS. The Workshop is not responsible for lost entries.

f.) Participants are urged to submit eligible works as soon as possible. Please include a self-addressed, stamped postcard if you would like an acknowledgment of receipt.

g.) Please do not contact The Asian American Writers' Workshop nor the Judging Committee to inquire about the status of your entry once you have received the acknowledgment card.

JUDGING

a.) The Judging Committee is selected by the Workshop. Judges are selected on the basis of expertise in a literary genre and/or experience in academic environments relevant to Asian American literature, residence in the U.S. and ethnic background so as to create a diverse committee.

b.) The Judges will be divided into three (3) committees. These committees are responsible for compiling a shortlist of entries submitted for the Award. The works with the highest overall scores for literary excellence will be awarded Annual Asian American Literary Awards.

c.) The decision of the Judging Committee is final.

CONTACT INFORMATION:

For queries: desk@aaww.org

For submissions:
enter the awards here

Website: http://www.aaww.org
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The Fifteenth Annual Asian American Literary Awards

28 May 2012
Paid Contributors Wanted at Korean Portal - English Edition
Korea Portal is seeking paid contributors who will write about various Korea/Korean related topics for our English edition. We welcome anyone who loves Korean culture and wants to write about it. Example of categories:

- Food
- Entertainment
- Travel
- Fashion
- Beauty
- Tech
- Art & Culture

Once a week or once a month. Compensation is negotiable, paid per article. Please email us with the below attached, and with your desired rate:

- Simple cover letter (please introduce yourself)
- Resume
- Writing samples

You can work at home.

CONTACT INFORMATION:

For queries/ submissions: kpen.jobs@gmail.com

Website: http://en.koreaportal.com/
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27 May 2012
Call for Submissions: Mizna Arab-American Literary Journal
Deadline: 16 July 2012

Mizna continuously seeks original writing for upcoming publications. The deadline for submitting work to be considered for the next issue is July 16, 2012. We welcome submissions on Arab-American themes that reflect the diversity of our community, and we are interested in work that surprises and challenges the reader. Contributors do not have to be of Arab descent provided their work is of relevance to the Arab-American community.

We prefer electronic submissions. If you would like your work to be considered for publication, please send your submission and a short biography (maximum 50 words) via e-mail as attachments (not in the body of the message) to mizna@mizna.org, and include the word "submission" in the subject line. Please include your name, mailing address, e-mail address, and phone number. The attachments should be standard word-processing program files.

Prose should be double-spaced and limited to 2500 words. Kindly limit poetry submissions to four poems per submission. Verses exceeding our page width will be treated with a runover indent. Proofs can be made available for author approval before publication.

Writers whose work is published in Mizna will receive a stipend and complimentary copies of the journal.

Due to the volume of submissions received, those not conforming to the above guidelines, as well as material previously published in any other English-language forum, will not be considered.

CONTACT INFORMATION:

For queries/ submissions: mizna@mizna.org

Website: http://mizna.org
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24 May 2012
Deadline June 1 | The Marleigh Grayer Ryan Writing Prize (for student papers dealing with Asia) - US
Deadline: 1 June 2012

The New York Conference on Asian Studies (NYCAS) encourages the development of the skills of scholarly writing by awarding annual prizes for excellent student papers dealing with Asia. Two such prizes are awarded each year, one to an undergraduate student and one to a graduate student. Runners-up are named in each category.

The prizes honor the outstanding service of Dr. Marleigh Grayer Ryan, former Dean of Liberal Arts and Sciences, Professor of Japanese Literature, and Coordinator of Asian Studies at SUNY New Paltz; and longtime Executive Secretary of NYCAS.

Eligibility: Undergraduate and graduate students at a college or university in New York State.

Field: East Asia, Southeast Asia, South Asia, Asia in diaspora, and Asian American studies.

Awards: The First Prize winners in the Undergraduate and Graduate categories each will receive a $100 prize; up to $100 reimbursement for travel and expenses to attend the NYCAS 2012 Annual Meeting hosted by SUNY New Paltz on September 28-29, 2012; and a waiver of the NYCAS 2012 registration fee, including conference meals at the NYCAS meeting.

The Runner-up/Honorable Mention winners each will receive a waiver of the NYCAS 2012 registration fee, including conference meals at the NYCAS meeting.

The winning papers will be published on the NYCAS website and considered for presentation in a panel at the NYCAS meeting. The prizes will be presented at a luncheon on September 29, 2012.

Format of papers: Papers should include a cover page giving the title of the paper, the student's name, category, institution, and contact information (including current email and permanent mailing address).

Submission of papers: A student may submit only one entry. Papers may be submitted by the student author or by a faculty member acting on behalf of a student. A faculty member may not provide any evaluative comments at the time of nomination.

Papers should be submitted by e: attachment only. Undergraduate papers are limited to 40 pages. Graduate papers are limited to 60 pages.

A submitted paper should stand alone and not be a segment of a larger work, such as a Senior Thesis, Masters' Thesis, or Doctoral Dissertation.

With your emailed submission, please include a completed cover sheet, which can be accessed by clicking here.. This cover sheet should be saved, preferably as a pdf, and then attached when you email your paper.

Notification of awards: August 15, 2012

CONTACT INFORMATION:

For inquiries: TiantianZheng@cortland.edu

For submissions: submit papers by email attachment to Professor Tiantian Zheng, Chair, NYCAS Marleigh Grayer Ryan Prize Committee at TiantianZheng@cortland.edu

Website: http://www.asianstudies.buffalo.edu/nycas/
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Deadline June 1 | The Marleigh Grayer Ryan Writing Prize (for student papers dealing with Asia) - US

Deadline June 1 | Manuscripts on Women of Color Feminisms Sought: NWSA First Book Manuscript Competition 2012 (USA)
Deadline: 1 June 2012

(Note: Possible topics may include but are not limited to Gender and queer sexuality, Gendered experiences of people of color, Transgender studies, and Women of color feminisms.)

The National Women's Studies Association and the University of Illinois Press are pleased to announce a competition for the best dissertation or first book manuscript by a single author in the field of women's and gender studies. Applicants must be National Women's Studies Association members.

If a winner of the competition is selected, he or she will receive a publication contract with the University of Illinois Press. Runners up may also be considered for publication with the University of Illinois Press. Submitted dissertations must have been completed and defended after June 1, 2008. All submissions must be postmarked by June 1, 2012, and should include the following materials:
  • Cover letter
  • C.V.
  • Proposal, including a 4-5 page overview of the scope of the project and analysis of competing titles
  • Complete unbound manuscript, at least 150 double spaced pages, 12 pt. Times New Roman font

Please mention the competition in your cover letter, and also indicate if any material from the manuscript has been previously published. The winner will be announced at NWSA's annual conference.

All submissions must be exclusive submissions to the University of Illinois Press for the duration of the contest, and finalists will be notified by mid-August.

CONTACT INFORMATION:

For inquiries/ submissions: direct all questions and submissions to Larin McLaughlin, Senior Acquisitions Editor, University of Illinois Press at larinmc@uillinois.edu

Website: http://www.nwsa.org/
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Deadline June 1 | Manuscripts on Women of Color Feminisms Sought: NWSA First Book Manuscript Competition 2012 (USA)

23 May 2012
Call for Papers: Narratives of Travel in Middle Eastern Literatures (NeMLA Convention, Boston)
Deadline: 30 September 2012

This panel seeks papers that address different narratives of travel (such as exile, diaspora, immigration, and colonial adventure) in Middle Eastern literatures. The topics include, but are not limited to: transnational narratives (dis)connecting East and West; travel writing; re-visioning history; cross-dressing and cross-gender dynamics in travel. Interdisciplinary approaches on popular culture and media studies are also welcome. Please send 250 word abstracts and brief bios to Eda Dedebas at eda.dedebas@uconn.edu

Please include with your abstract:
  • Name and Affiliation
  • Email address
  • Postal address
  • Telephone number
  • A/V requirements (if any; $10 handling fee with registration)

The 2013 NeMLA convention continues the Association's tradition of sharing innovative scholarship in an engaging and generative location. The 44th annual event will be held in historic Boston, Massachusetts, a city known for its national and maritime history, academic facilities and collections, vibrant art, theatre, and food scenes, and blend of architecture. The Convention, located centrally near Boston Commons and the Theatre District at the Hyatt Regency, will include keynote and guest speakers, literary readings, film screenings, tours and workshops.

Interested participants may submit abstracts to more than one NeMLA session; however, panelists can only present one paper (panel or seminar). Convention participants may present a paper at a panel and also present at a creative session or participate in a roundtable. http://www.nemla.org/convention/2013/cfp.html

CONTACT INFORMATION:

For inquiries/submissions: eda.dedebas@uconn.edu

Website: http://www.nemla.org/convention/2013/
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Call for Papers: Narratives of Travel in Middle Eastern Literatures (NeMLA Convention, Boston)

Call for Submissions for 'Hybridity' Issue: Lantern Review (Journal of Asian American Poetry)
Deadline: 15 July 2012

For its fifth issue, Lantern Review seeks poems, visual art, multimedia, and mixed genre poetic works that engage with the critical notion of "hybridity," whether in language, form, aesthetic or subject matter. How can the act of poetic "collage" mimic, transform, and otherwise help us to negotiate the boundaries of ethnic and cultural distinctions? In what ways can experimenting with the mixing (and re-mixing) of narratives, forms, source material, and genres be used to enact the condition of hybridity (geographically, generationally, biologically, and otherwise)?

The reading period for Issue 5 will close on July 15, 2012.

Submissions (with the exception of Community Voices and Visual Art/Photography queries) will only be accepted via our online form. Please read our guidelines thoroughly before proceeding.

GENERAL GUIDELINES
  • You may submit only once per reading period.
  • All poetry, translations, and prose should be submitted via our online system ONLY. If you experience technical trouble with the system during the submission process, please send us an email at editors [at] lanternreview (dot) com.
  • Your submission must meet both our general guidelines and the specific guidelines for the category in which you are submitting (see below, under “Categories of Work Accepted”)
  • Please include a cover letter as the first page of your submission. Our electronic form will also ask you to input a short biographical statement. We ask that you limit these statements to 1-2 sentences per artist [translators need not submit additional bio(s) for the artist(s) whose work they are translating].
  • Acceptable file formats: As our system can accept only one file at a time from each submitter, poetry and prose manuscripts should be uploaded as a single MS Word (.doc or .docx) document or Adobe .pdf file, the first page of which should consist of a cover letter. In order to avoid a potential upload error, we suggest that you remove all spaces and punctuation from the file name of your document—e.g., "MChangPoems.docx" rather than "M Chang - Poems.docx". (See specific guidelines under “Categories of Work Accepted” for Community Voices and Visual Art submissions).
  • In submitting your work to us, you guarantee that the pieces included in your MS have not been published before—either in electronic or print form—and that they constitute your original creative work. Rights revert to the author upon publication of the work. We are open to simultaneous submissions, but you must inform us immediately should your work be accepted elsewhere.
  • Please allow approximately 4 weeks after the end of the reading period for our response.
  • Simultaneous submissions are acceptable, but you must alert us to which poems have been submitted simultaneously, and must inform us immediately should they be accepted elsewhere.
  • Please note that as LR is a completely volunteer-run operation, we are unable to offer our contributors monetary compensation at this time.

CATEGORIES OF WORK ACCEPTED

Original poems

Collaborative or individual; traditional, experimental, hybrid forms—all are welcome! Please submit no more than 4 poems at a time. For collaborative pieces, please indicate the name of only one artist under “Contact Information,” but include all collaborators’ names in the “Artist Names” box (under “Manuscript Information”).

Translations

New translations of poems into English. Please submit no more than 4 translations at a time. Indicate the name of the original poet as well as your own in the “Artist Name(s)” box. Unless the poem you have translated is in the public domain, please also make sure that you have secured all necessary permissions from the owners of the original piece's copyright before submitting your translation to us.

Book Reviews & Essays

We feature one prose piece (written by a poet or scholar of poetry) at the end of each issue. Types of work that we are interested in include: reviews of recent poetry collections, critical essays relating to poetic craft or issues in poetics, and creative reflections by poets on such subjects as process, community, and politics in poetry. Please note that we are looking for prose whose subject matter deals with poetry and its practice in some way (for example, we are not interested in publishing reviews of short story collections). Please submit no more than one prose piece at a time. Prose pieces should be no longer than 3000 words in length.

Community Voices

Each issue will feature a number of poems that have produced in the context of a writing or arts community, as well as a short profile of the group(s) that produced the work. If you are a member of a group whom we might be interested in featuring, please query us at editors [at] lanternreview (dot) com.

OUR AESTHETIC

We incline towards contemporary free verse that features a compelling sense of voice, strong internal music and striking imagery, but are open to work that spans the spectrum from the more conservative lyric influenced by traditional forms, to experimental and hybrid forms that push the boundaries of poetry's definitions. To get an idea of what poets the editors like to read and what sort of themes and issues we find compelling, please take some time to browse through our current issue before submitting.

WHO MAY SUBMIT

We seek quality submissions from individual artists and communities of artists, regardless of ethnic background. Your submission does not necessarily have to directly address a "big question" about Asian (U.S.) American identity; nor does it have to take place in America or in Asia. However, please keep in mind that we are seeking to publish work that engages to some degree with issues relevant to the Asian American and/or Asian diasporic experience, and that when reading any piece, we will be looking for not only superior craft, but also for an approach to the work's subject matter that is both thoughtful and culturally/politically sensitive. (Please note: LR staff members are ineligible to submit work during their time with us).

CONTACT INFORMATION:

For inquiries: editors@lanternreview.com

For submissions: via the submissions form

Website: http://www.lanternreview.com
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Call for Submissions for 'Hybridity' Issue: Lantern Review (Journal of Asian American Poetry)

22 May 2012
Deadline Extended: Coalition of Asian Pacifics in Entertainment New Writers Award
Deadline: 29 June 2012 (11:59PM PST)

The Coalition of Asian Pacifics in Entertainment have recently extended their submission deadline to Friday, June 29, 2012 at 11:59PM PST. Please see the flyer below.

COALITION OF ASIAN PACIFICS IN ENTERTAINMENT NEW WRITERS AWARD

Both CAPE and non-CAPE members are encouraged to apply.

Three (3) winners will each receive a $4,000 cash prize, the latest Final Draft software, a staged reading of their winning script, exclusive meetings with entertainment industry agents, producers, and executives.

The submission deadline is Friday, June 29, 2012 11:59PM PST.

Each submission should include a paid entry fee, completed application form, general release form, short essay, and one signed rules and conditions form. Please submit materials electronically to CNWA@capeusa.org by Friday, June 25, 2012 11:59PM PST.

RULES AND CONDITIONS

TELEVISION WRITING CATEGORY

Please read and abide by the rules and conditions as specified. The Application Form, Rules & Conditions Form, General Release Form, and Short Essay must be completely filled out and must be accompanied by the entry fee. All submissions, which do not follow the rules and guidelines, will be disqualified. No submissions will be returned.

1. Original or spec teleplay samples based on well-known TV series (comedy or drama) by unproduced writers are to be submitted.

2. The entrants and teleplays should be consistent with CAPE’s mission to advance diversity and cross-cultural awareness by educating and promoting Asian Pacific Islanders for key artistic and leadership roles in entertainment and media.

3. Entrants must be 18 years or older.

4. All Entries must be submitted with the following:

- Application Form
- Rules & Conditions Form
- General Release Form
- Short (100 words or less) Essay, which states how entrants or screenplays are consistent with CAPE’s mission
- Entry fee of $55.00 per script ($35.00 for CAPE members) paid online

5. All Entries must be submitted electronically to CNWA@capeusa.org in PDF format with necessary forms attached.

6. All Entries are due electronically by Friday, June 25, 2012 11:59 PM PST.

7. All submissions should be full length spec scripts, in standard industry format, and be written in English. Script must be stripped of identifying legends in the footer and header. Include your name, address, phone number, and e-mail address on your title page.

8. The winner will be chosen by a Selection Committee of Entertainment Industry Professionals. The winner will be announced in August 2012 on the official CAPE website at capeusa.org.

9. The winner will receive a $4000 cash prize, a live reading of their winning script, and an opportunity to present the winning submission to an Entertainment Industry Panel.

10. The Entrant/Writer/Team warrants that the submitted teleplay or writing sample cannot be currently under option and/or cannot be purchased. The Entrant/Writer/Team hereby warrants that he/she is the sole owner and author of the submitted teleplay and that he/she has the full right to submit it to the CAPE New Writers Awards upon the terms and conditions herein. The Entrant/Writer/Team must exclusively own the Copyright to the material being submitted.

11. The Entrant/Writer/Team hereby indemnifies CAPE and any of its agents and/or representatives, officers, members, employees and designees (including those acting as judges) referred to in the General Release as "Indemnified Parties," from and against any claims, losses, damages, losses, costs, expenses, judgments, awards, settlements or other liabilities of any kind (including, without limitation, reasonable attorneys’ fees and costs) that may be asserted against it in connection with the teleplay submission.

12. If the submission is by a team, each team member must sign all forms and submit the requested information.

SUBMISSION MATERIALS:

Entry Fees are $35 for CAPE members and $55 for non-CAPE members. Please pay your Entry Fee online from one of the selections below:



CONTACT INFORMATION:

For inquiries/ submissions: CNWA@capeusa.org

Website: http://capeusa.org
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Deadline Extended: Coalition of Asian Pacifics in Entertainment New Writers Award

For Filipinos in the Diaspora: Our Own Voice Literary Journal
Our Own Voice's mission is to provide a home space for the creative expressions of Filipinos in the diaspora. OOV believes there is a growing breed of Filipino who is a foreigner in his old home, an alien in his new land: straddling two cultures without belonging to either one or who may be trying to belong to either one.

WHAT ARE WE LOOKING FOR?
  • works that reflect Filipino insights and experiences in the diaspora;
  • a foreigner's experience of the Filipino culture;
  • reviews of works authored by Filipinos or articles & commentaries pertaining to the Filipino abroad;
  • unpublished stories, poetry and essays by Filipinos written in English or Tagalog;
  • "Wanting to go to America" genre; essays pertaining to the writing life;
  • dramatic pieces describing the struggle of Filipinos overseas.
  • We are also interested in works by those who have grown up influenced strongly by other cultures, but who intentionally own their Filipino heritage.

REQUIREMENTS:
  • Short story up to 5,000 words
  • 5 poems for a single submission, not more than 50 lines per poem
  • Essays, book reviews and critiques up to 5,000 words
  • Excerpts from dramatic pieces or plays limited to 3,000-5,000 words

For works that significantly exceed these word count parameters, please query the editor. We will not outright reject a piece because it is too long.

WHERE TO SEND YOUR SUBMISSIONS:

Send to our.own.voice@gmail.com. Authors will be notified of the status of their submission by e-mail.

DEADLINES AND FREQUENCY OF ISSUES:

Issues will appear quarterly. However if the work is submitted past an issue's deadline, it will be rolled forward for consideration for a future issue.

CONTACT INFORMATION:

For inquiries/ submissions: our.own.voice@gmail.com

Website: http://ourownvoiceonline.com/
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For Filipinos in the Diaspora: Our Own Voice Literary Journal

Call for Plays by Writers of Middle-Eastern Descent: Noor Theatre (USA)
Deadline: 15 June 2012

We are pleased to announce a general call for submissions of new plays by writers of Middle-Eastern descent. Submissions will be considered for upcoming programming including the fall reading series, Highlight, as well as possible special events, workshops and commissions.

SUBMISSION GUIDELINES:

· We are accepting plays previously unproduced in New York City;

· Only one submission per writer;

· We are interested the various perspectives of writers of Middle-Eastern descent, whether the plays are Middle-Eastern themed or otherwise.

· Please include the following with each submission: a bio and/or resume, production or development history if applicable; for non-agent submissions, a letter of recommendation from a theatre professional.

The deadline for submissions is June 15, 2012. In an effort to be ecologically responsible, Noor Theatre accepts scripts with all materials in one email to submissions@noortheatre.org. Scripts with all attachments may also be mailed to the address below; please note, they will not be returned:

Noor Theatre – Submissions,
PO Box 1063
New York, NY 10276

CONTACT INFORMATION:

For inquiries/ submissions: submissions@noortheatre.org

Website: http://noortheatre.org/
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Call for Plays by Writers of Middle-Eastern Descent: Noor Theatre (USA)

21 May 2012
In This Skin: A Writing/ Performance Workshop with Aimee Suzara at Oakland Asian Cultural Center
Date: 10 June 2012 (2pm)

When it comes to body image, what is the importance of skin? Join Aimee Suzara, writer/performer and director of the Pagbabalik (Return) Project, for a writing workshop for women that allows you to explore attitudes around skin color, body image, and beauty. Develop gesture and text through guided writing and movement exercises. No experience necessary; all physical abilities welcome; ages 16 and up.

PRICE: $45. Early registration, before Jun 1, is $40. All must enroll by June 8.

This workshop is co-presented by Oakland Asian Cultural Center as part of their 2012 Asian Heritage Festival.

CONTACT INFORMATION:

For inquiries: contact booking@aimeesuzara.net
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In This Skin: A Writing/ Performance Workshop with Aimee Suzara at Oakland Asian Cultural Center

Deadline for Applications Extended: Cleveland State University Visiting India Scholar Search (performing arts/ arts history with focus on India)
Deadline: 15 June 2012

The College of Liberal Arts and Social Sciences, Cleveland State University, invites applications for the position of Visiting Faculty for the College’s India Studies Program. Rank is open and will be commensurate with qualifications and experience. This position is a temporary one-semester appointment and is not eligible for tenure. Hiring is contingent on maintaining existing levels of funding from the State.

MINIMUM QUALIFICATIONS:

A doctorate or appropriate terminal degree in the fine or performing arts, art history, or in the social sciences, with concentration on India.

PREFERRED QUALIFICATIONS:

Successful post-secondary (undergraduate) teaching; a distinguished record of scholarship or creative achievement; and previous experience working within a cross-cultural learning environment.

DUTIES:

Teach two courses in area of expertise within the College of Liberal Arts and Social Sciences; present a series of colloquia to faculty, staff, and students and to the community at large on India-related subjects; collaborate with other University faculty involved in India Studies research.

This one semester, non-tenured position is for Spring semester 2013, with a starting date of January 14, 2013.Salary commensurate with experience and qualifications.

Please send letter of candidacy describing qualifications, current curriculum vitae, and three letters of reference by email to: r.m.adams@csuohio.eduor by mail to: Professor Matt Jackson-McCabe, Chair of Visiting India Scholar Search Committee, College of Liberal Arts and Social Sciences, RT 1822, 2121 Euclid Avenue, Cleveland OH, 44115-2214, USA.

CONTACT INFORMATION:

For inquiries/ submissions: r.m.adams@csuohio.edu

Website: http://www.csuohio.edu/
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Deadline for Applications Extended: Cleveland State University Visiting India Scholar Search (performing arts/ arts history with focus on India)

20 May 2012
Call for Papers: Re-visiting the “Nation” in Contemporary Narratives by American Women of Color (NeMLA Convention, Massachusets)
Deadline: 30 September 2012

This panel seeks papers that address the political-economic engagement of the U.S. with different parts of the world that has re-nuanced definitions of Americanness/nationhood/ national belongings in narratives by American women of color from the Caribbean Islands, Latin America, South Asia, and the Middle East. The panel encourages comparativist approaches that read together two or more texts to chime on the possibilities of understanding the notion of the nation as a relational concept.

Please send 500 word abstract to dmgomaa@uwm.

Please include with your abstract:
  • Name and Affiliation
  • Email address
  • Postal address
  • Telephone number
  • A/V requirements (if any; $10 handling fee with registration)

CONTACT INFORMATION:

For enquiries/ submissions: dmgomaa@uwm

Website: http://www.nemla.org/
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Ranked: 500 highest-paying publications for freelance writers
The Freelance 500 Report (2015 Edition, 138 pages) profiles the highest-paying markets, ranked to help you decide which publication to query first. The info and links in this report are current. Details here.