Sundance Institute recently announced the 14 projects selected for its annual June Directors and Screenwriters Labs, taking place at the Sundance Resort in Utah May 30 – June 30, 2011. Under the leadership of Michelle Satter, Director of the Sundance Feature Film Program, and the artistic direction of Gyula Gazdag, the projects selected for this year's program include emerging filmmakers and projects from the United States, Israel, Romania, Mexico, the Philippines and Algeria. Sundance Institute is marking the 30th anniversary of its first Directors Lab, led by Robert Redford and Satter in 1981.
Over the course of the Directors Lab, Fellows work with an accomplished group of Creative Advisors, professional actors, and production crews, shooting and editing key scenes from their screenplays. Through this intense, hands-on process, the Fellows workshop text, collaborate with actors, and find a visual storytelling language for their films in an atmosphere where experimentation and risk-taking is encouraged. Fellows also join in the weeklong Screenwriters Lab with six additional projects to participate in individualized story sessions under the guidance of established screenwriters.
The projects and participants selection for the 30th Anniversary of the Sundance Institute June Directors Lab from May 30 – June 23 are:
Sundance Institute Executive Director Keri Putnam added, “All of the Institute’s work to date was born out of the original idea of bringing artists to the mountains, away from commercial pressures, to be nurtured by nature and encouraged by creative leaders in the film world. It is our distinct pleasure to welcome this latest class of fellows who join our amazing, supportive group of alumni around the world.”
Gyula Gazdag returns as Artistic Director of the Directors Lab. This year's Creative Advisors for the Directors and Screenwriters Labs include Robert Redford, Michael Almereyda, John August, Scott Burns, Scott Cooper, Sebastian Cordero, Joan Darling, Suzy Elmiger, Robert Elswit, Sally Field, John Gatins, Michael Goldenberg, William Goldenberg, Deena Goldstone, Keith Gordon, Randa Haines, Catherine Hardwicke, Azazel Jacobs, Jeremy Kagan, Kasi Lemmons, Denis Lenoir, Peter Medak, Walter Mosley, Jessie Nelson, Tim Blake Nelson, Billy Ray, Howard Rodman, Susan Shilliday, Brad Silberling, Dana Stevens, Joan Tewkesbury, Barbara Tulliver,
Audrey Wells, and Doug Wright.
About the participants:
Zero Motivation/Talya Lavie (writer/director), Israel: A tragicomic look at the power struggles of three female clerks over one year in an administrative office at a remote army base in the Israeli desert. Talya Lavie writes and directs for various television dramas in Israel. After studying animation at the Bezalel Art Academy, she graduated from the Sam Spiegel Film School in Jerusalem. Her short film, Sliding Flora, screened at MoMA, as well as at over 40 film festivals worldwide, among them the Berlinale. Lavie’s thesis film, The Substitute, received numerous international awards, including the Audience Award in the Berlinale, and first prize at the Munich International Short Film Festival and the Melbourne International Film Festival.
Satra/Sheron Dayoc (writer/director), Philippines: Swept up in the ethnic conflict of war-torn Mindanao, Satra, a tribal fabric weaver, hovers between the spiritual and real worlds, wrestling with the uncertain fate of her village and loved ones. Sheron Dayoc hails from Zamboanga City, located in the southern region of the Philippines. His award-winning short films and documentaries tackle issues from Mindanao. Halaw, his first feature film, received a NETPAC
Special Mention award at the Berlin International Film Festival as well as the award for Best Picture at the 2010 Cinemalaya Independent Film Festival (known as the “Sundance of the Philippines.”)
About the program
Since 1981, the Sundance Institute Feature Film Program (FFP) has supported more than 450 independent filmmakers whose distinctive, singular work has engaged audiences worldwide. The program’s approach to the discovery and development of independent artists has become a model for creative development programs internationally. Program staff fully embrace the unique vision of each filmmaker, encouraging a rigorous creative process with a focus on original and deeply personal storytelling. Each year, up to 25 emerging filmmakers from the U.S. and around the world participate in a year-round continuum of support which can include the Screenwriters and Directors Labs, Creative Producing Fellowship and Lab, Composers Lab, Creative Producing Summit, ongoing creative and strategic advice, significant production and postproduction resources, a Rough-Cut Screening Initiative, a Screenplay Reading Series, and direct financial support through project-specific grants and artist fellowships. In many cases, the Institute has helped the Program’s fellows attach producers and talent, secure financing, and assemble other significant resources to move their projects toward production and presentation. In addition, the FFP is providing strategic resources to completed Lab films in distribution and
marketing across all platforms to support and expand their connection to audiences worldwide.
Contact Information:
For inquiries: Brooks_addicott@sundance.org
Website: http://www.sundance.org
Over the course of the Directors Lab, Fellows work with an accomplished group of Creative Advisors, professional actors, and production crews, shooting and editing key scenes from their screenplays. Through this intense, hands-on process, the Fellows workshop text, collaborate with actors, and find a visual storytelling language for their films in an atmosphere where experimentation and risk-taking is encouraged. Fellows also join in the weeklong Screenwriters Lab with six additional projects to participate in individualized story sessions under the guidance of established screenwriters.
The projects and participants selection for the 30th Anniversary of the Sundance Institute June Directors Lab from May 30 – June 23 are:
- Adelaide/Liliana Greenfield-Sanders (writer/director), U.S.A.
- Adelyne/Holden Abigail Osborne (writer/director), U.S.A.
- The American People/Keith Davis (writer/director), U.S.A.
- La Raya/Yolanda Cruz (writer/director), Mexico/U.S.A.
- Little Accidents/Sara Colangelo (writer/director), U.S.A.
- The Storm King/Carlo Mirabella-Davis (writer/director), U.S.A.
- Wolf/Bodgan Mustata (writer/director), Romania
- Zero Motivation/Talya Lavie (writer/director), Israel
- Ajax/Carson Mell (writer/director), U.S.A.
- Hurt Village/Katori Hall (writer), U.S.A.
- Red Olive Tree/Karim Bensalah (writer/director), Algeria/France
- Satra/Sheron Dayoc (writer/director), Philippines
- What He Did/Kyle Burns (writer/director), U.S.A.
- Ad Inexplorata/Mark Elijah Rosenberg (writer/director), U.S.A.
Sundance Institute Executive Director Keri Putnam added, “All of the Institute’s work to date was born out of the original idea of bringing artists to the mountains, away from commercial pressures, to be nurtured by nature and encouraged by creative leaders in the film world. It is our distinct pleasure to welcome this latest class of fellows who join our amazing, supportive group of alumni around the world.”
Gyula Gazdag returns as Artistic Director of the Directors Lab. This year's Creative Advisors for the Directors and Screenwriters Labs include Robert Redford, Michael Almereyda, John August, Scott Burns, Scott Cooper, Sebastian Cordero, Joan Darling, Suzy Elmiger, Robert Elswit, Sally Field, John Gatins, Michael Goldenberg, William Goldenberg, Deena Goldstone, Keith Gordon, Randa Haines, Catherine Hardwicke, Azazel Jacobs, Jeremy Kagan, Kasi Lemmons, Denis Lenoir, Peter Medak, Walter Mosley, Jessie Nelson, Tim Blake Nelson, Billy Ray, Howard Rodman, Susan Shilliday, Brad Silberling, Dana Stevens, Joan Tewkesbury, Barbara Tulliver,
Audrey Wells, and Doug Wright.
About the participants:
Zero Motivation/Talya Lavie (writer/director), Israel: A tragicomic look at the power struggles of three female clerks over one year in an administrative office at a remote army base in the Israeli desert. Talya Lavie writes and directs for various television dramas in Israel. After studying animation at the Bezalel Art Academy, she graduated from the Sam Spiegel Film School in Jerusalem. Her short film, Sliding Flora, screened at MoMA, as well as at over 40 film festivals worldwide, among them the Berlinale. Lavie’s thesis film, The Substitute, received numerous international awards, including the Audience Award in the Berlinale, and first prize at the Munich International Short Film Festival and the Melbourne International Film Festival.
Satra/Sheron Dayoc (writer/director), Philippines: Swept up in the ethnic conflict of war-torn Mindanao, Satra, a tribal fabric weaver, hovers between the spiritual and real worlds, wrestling with the uncertain fate of her village and loved ones. Sheron Dayoc hails from Zamboanga City, located in the southern region of the Philippines. His award-winning short films and documentaries tackle issues from Mindanao. Halaw, his first feature film, received a NETPAC
Special Mention award at the Berlin International Film Festival as well as the award for Best Picture at the 2010 Cinemalaya Independent Film Festival (known as the “Sundance of the Philippines.”)
About the program
Since 1981, the Sundance Institute Feature Film Program (FFP) has supported more than 450 independent filmmakers whose distinctive, singular work has engaged audiences worldwide. The program’s approach to the discovery and development of independent artists has become a model for creative development programs internationally. Program staff fully embrace the unique vision of each filmmaker, encouraging a rigorous creative process with a focus on original and deeply personal storytelling. Each year, up to 25 emerging filmmakers from the U.S. and around the world participate in a year-round continuum of support which can include the Screenwriters and Directors Labs, Creative Producing Fellowship and Lab, Composers Lab, Creative Producing Summit, ongoing creative and strategic advice, significant production and postproduction resources, a Rough-Cut Screening Initiative, a Screenplay Reading Series, and direct financial support through project-specific grants and artist fellowships. In many cases, the Institute has helped the Program’s fellows attach producers and talent, secure financing, and assemble other significant resources to move their projects toward production and presentation. In addition, the FFP is providing strategic resources to completed Lab films in distribution and
marketing across all platforms to support and expand their connection to audiences worldwide.
Contact Information:
For inquiries: Brooks_addicott@sundance.org
Website: http://www.sundance.org
